Tron: Ares (2025): Disney’s Threequel Does Not Compute

Photo by Disney/DISNEY – © 2025 Disney Enterprises, Inc. All Rights Reserved.

“Tron: Ares” is directed by Joachim Rønning (Pirates of the Caribbean: Dead Men Tell No Tales, Maleficent: Mistress of Evil) and stars Jared Leto (Morbius, Blade Runner 2049), Greta Lee (Russian Doll, The Morning Show), Evan Peters (Invasion, X-Men: Days of Future Past), Jodie Turner-Smith (A Big Bold Beautiful Journey, The Last Ship), Hasan Minhaj (Patriot Act with Hasan Minhaj, The Daily Show), Arturo Castro (Narcos, Broad City), Gillian Anderson (The X-Files, Sex Education), and Jeff Bridges (The Big Lebowski, True Grit). This is the third film in the “Tron” franchise and is about the rivalry between ENCOM and Dillinger Systems as both corporations attempt to bring digital entities into the real world.

Photo by Disney/DISNEY – © 2025 Disney Enterprises, Inc. All Rights Reserved.

“Tron” is a franchise that I do not think about much these days, but as a teenager, these movies were my jam. When it comes to special effects, both of these films are marvels. I never had a chance to watch “Tron: Legacy” in a theater when I was 11 years old. While I still had not watched the original “Tron” by that time, I am jealous of those who got to watch “Legacy” on the big screen, especially in IMAX 3D.

In preparation for “Tron: Ares,” I went back and watched both “Tron” and “Tron: Legacy.” While neither film is perfect, they both hold up. Sure, the effects in the original might not fly today, but they have such a vintage charm. They have an aesthetic I do not find in many other films, new or old. Between the prior two installments, I was a little more pleased with the look of “Tron,” which I found to be more vivid and appealing in terms of color. As a story, I also found it to be better paced. Not to say that “Tron: Legacy” is bad, but I found Kevin Flynn to be more inviting as a protagonist than Sam.

But the thing about “Tron” and “Tron: Legacy” is that both movies have protagonists whose adventures and character arcs I can fondly appreciate and remember, even if I liked one more than the other. “Tron: Ares,” across the board, has flat characters in comparison. Few, if any, kept my attention. And when one of them did have my attention, their dialogue felt fairly cookie cutter. Am I going to remember Julian Dillinger? Probably not. Elisabeth Dillinger? Don’t think so. Eve Kim? I don’t know. In fact, if I had to name a favorite character in the movie, it would be a monumental undertaking. I would have to get to the point where I would have to name aspects of the film that are not characters as my top dogs.

The best characters in “Tron: Ares” are as follows… Kevin Flynn, played by the legendary Jeff Bridges who is back once again to reprise his role… The Nine Inch Nails… for providing some killer tracks that are not quite on the level of Daft Punk’s “Legacy” music, but manage to hold their own… And of course, the CGI… It is full of detail and eye candy both in the real world and beyond. If I am referring to music and special effects as my favorite characters, it is a telltale sign that “Tron: Ares” is not a good movie. In fact, this is easily the weakest of the three “Tron” movies so far, and maybe ever depending on how well this film does financially. As of publishing this review, the movie’s been out for almost a month and it has not made its budget back.

Just because the movie is weak, does not mean it is lacking in cool moments. But to be honest, I do not know if this movie is best designed for newcomers. On the surface, one could argue “Tron: Ares” is newcomer-friendly due to most of the cast and characters not appearing in the prior two installments. It is to a certain degree, a clean slate. But the movie also noticeably relies on fan service and nostalgia. Admittedly, as someone who has seen the prior two movies, there are select instances where I was shaking in my chair like a rocket ready to blast off.

The more I think about “Tron: Ares” the more it reminds me of “Jurassic World: Dominion.” “Tron: Ares” is significantly more appealing, but the film’s negatives tend to match, partially because both films sell themselves on the hook that its threat is “coming to the real world.” Granted, the dinosaurs in “Jurassic Park” have always been part of the real world, but they have been closed off from towns and cities whereas beings from inside the Grid are exiting their digital society and entering our own. That said, I will give “Tron: Ares” an enormous edge against “Jurassic World: Dominion” because the former actually seems to commit to its idea of digital beings entering the real world, whereas the execution of the dinosaurs entering the real world in the latter feels like an afterthought at times.

Even though I find “Tron: Ares” to not be that good of a film, I do think there are glimmers of decency to be found. While the story of the film itself ends up being a bore, I do think the plot of “Tron: Ares,” which involves companies racing against each other in bringing digital constructs to reality, feels somewhat reminiscent of how tech companies today are heavily pushing artificial intelligence. Part of the similarities are also revealed when the movie exposes a significant flaw regarding the Ares character. The movie not only reminds me of how much these companies seem to be pushing AI, but they will likely go so far to brush away or hide drawbacks that could heavily affect the product or the consumer.

“Tron: Ares” continues to prove that Jared Leto cannot catch a break. He often finds himself in one of two unfortunate situations… Situation one, he is in a movie that does not do well in terms of box office. Situation two, he is in a movie that does not do well in terms of the reviews. He is particularly doing a lot of damage in geek culture. In the past decade, he’s received an off-screen death in the DCEU, bad reviews for his movie in Sony’s Marvel universe, low box office returns on “Blade Runner 2049,” and now, it looks like another science fiction franchise has been met with the curse of Jared Leto. Do not interpret this as me hating on Jared Leto. He is a phenomenal actor and can give a solid performance when cast in the right role. In fact, he is great as Ares. He kind of reminded of a Sheldon Cooper-type. There are one or two scenes from this film where I internally replaced Leto’s face with that of Jim Parsons. To be clear, and this is nothing against Jim Parsons, I am glad they cast Jared Leto instead. It’s best for all parties involved. After Parsons finished “The Big Bang Theory,” I would imagine the last person he’d want to play is a Sheldon Cooper-wannabe.

Whether you see this movie in 2D or 3D is your call. I will defend either choice, but as someone who traditionally does not care for 3D as much as I did when I was 13, 14 years old, I will admit the 3D upcharge for this film is completely justified. Between select sequences where the entire screen is covered in digital effects, to some pretty cool action scenes, this movie makes the extra cost for the glasses worthwhile.

Photo by Disney/DISNEY – © 2025 Disney Enterprises, Inc. All Rights Reserved.

In the end “Tron: Ares” is far and away my least favorite “Tron” installment yet. As far as big budget films go, it is, thankfully, not as insufferable as “A Minecraft Movie.” Though that comparison may not be fair because I had no previous attachment to the “Minecraft” property before going to see the film, whereas with “Tron” I did. Despite the film’s flaws, the attachment did help when it came to the film’s fan service, which was sometimes borderline forced, but at others, it completely flowed. “Tron: Ares” often looks great and sounds great. I just wish it had a screenplay that was just as great. I am going to give “Tron: Ares” a 4/10.

“Tron: Ares” is now playing in theaters. Tickets are available now.

Thanks for reading this review! My next review is going to be for “Bone Lake!” Stay tuned! Also coming soon, I will be sharing my thoughts on “A House of Dynamite,” “The Smashing Machine,” “Shelby Oaks,” “Frankenstein,” and “Good Fortune.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Tron: Ares?” What did you think about it? Or, what is your favorite “Tron” movie? Let me know down below! Scene Before is your click to the flicks!

Young Woman and the Sea (2024): Daisy Ridley Swimmingly Stands Out in the Latest Live-Action Effort from Walt Disney Pictures

“Young Woman and the Sea” is directed by Joachim Rønning (Pirates of the Caribbean: Dead Men Tell No Tales, Maleficent: Mistress of Evil) and stars Daisy Ridley (Star Wars: The Force Awakens, Chaos Walking), Tilda Cobham-Hervey (Hotel Mumbai, The Lost Flowers of Alice Hart), Stephen Graham (Pirates of the Caribbean: On Stranger Tides, Kim Bodnia (Killing Eve, The Witcher), Christopher Eccleston (Thor: The Dark World, True Detective), and Glenn Fleshler (Boardwalk Empire, Billions). This film is inspired by the book of the same name and is about the competitive swimmer Trudy Ederle, who makes a daring attempt to swim across the English Channel.

One of the benefits of being in a “Star Wars” movie is having such a massive franchise be part of your resume. But regarding the more recent films, particularly the prequel trilogy and the sequel trilogy, it feels interesting to note that a few of its leads are, unsurprisingly, mostly known for their “Star Wars” roles, but not really making rounds since. Sure, Hayden Christensen did “Jumper.” But who religiously and fondly remembers that movie? What else has he really done since “Revenge of the Sith” that has stood out? As for Daisy Ridley, who I adore as Rey in the “Star Wars” franchise, I hope she can find some enormous success outside of the “Star Wars” franchise that way she does not remain a one hit wonder of sorts. I liked her in “Chaos Walking,” but I recognize that movie is not perfect, even though I did have fun with it. That, and COVID-19 definitely affected its box office performance. Yes, I am aware Ridley did other things too. “Murder on the Orient Express,” the “Peter Rabbit” movies, “The Marsh King’s Daughter…” But I have not seen any of those.

While I cannot legitimately recommend any of those movies, I can say Daisy Ridley’s latest film, “Young Woman and the Sea” is definitely worth the watch. Not only is it a solid story, but one thing that favors the film is the timing of which it released. After all, it is summer. Therefore, it is basically swim season. The Olympics are around the corner. It is the perfect time to get in the water. Maybe you will not want to venture the same waters as this movie’s lead, but still.

But even if you do not want to venture those same waters, you may feel inspired to do other great things. I am a straight white male, so I cannot speak for everyone, but I have a feeling that a lot of people who check out this movie are going to feel empowered, they’re going to feel inspired. Everyone loves a good story of this nature, and it is perhaps a bonus if the lead is a woman like it is here.

While this movie is about Trudy Ederle, I thought it also did a good job with its supporting characters. I really enjoyed the scenes early on in the film where we see Trudy learning to swim and getting to know the others inside the building, in addition to one tradition they share. In addition to Trudy’s journey as she navigates the English Channel, I was simultaneously engaged with what was going on back at home. We see the family’s perspective, how nervous they are, and I think plenty of people can relate to those events playing out. It is natural for a parent to worry about their kid in a multitude of scenarios. Heck, my mom constantly worries about me getting to work on time. Granted I have to be there at 2 a.m…. But still. A good movie can make you care for its lead and their progression throughout the runtime, but that good movie could potentially be better, like this one, if you somehow also care about those who tend to express their worries about the lead.

One of the unsung standouts of “Young Woman and the Sea,” and I perhaps mean that literally, is the music. This film’s score is done by Amelia Warner, whose work I have not heard previously, but the orchestral power of this film leaves me curious as to what she has up her sleeve next. Each instance of the music adds to the tension, adventure, and sometimes joy of each scene. It is easily one of my favorite musical compilations this year. “IF” still remains my favorite score perhaps, but this trails only slightly behind.

Production value-wise, this film is as inviting as can be. The shots look beautiful. Every time I look at the water in this movie, it makes me want to go by the sea. It truly strikes a proper mood. It was also soothing to see the film’s various environments accompanied with a 1920s vibe. The film is chock-full of impeccably designed interiors. Probably some of my favorite I have seen this year. “Young Woman and the Sea” is quite a picturesque movie that is easy on the eyes. A lot of the frames that pass by as I am watching our hero navigate the English Channel are enchanting to gaze upon.

If I had any real critiques that come to mind regarding “Young Woman and the Sea” it would probably be that the film seems a little played up for what it is trying to be. Granted it is nowhere near as played up as the last movie I reviewed, “Summer Camp,” but it is sometimes over the top. The performances in the film are all over the place. It is not to say they are bad, but they seem to clash with each other tonally sometimes, as if they belong in a couple different movies. The actors all do a good job, even if their collective performances are not quite a perfect match. This film is a term I do not use often, but it feels appropriate to use here. If there were a word to describe this film at times, it would be “Hollywoodized.” This is a story that on paper, would make a good movie. A woman taking on a dangerous mission of swimming across a body of water makes for a great story, especially considering this one is true. But some of it is perhaps pushing the boundaries of reality. It sometimes feels familiar in terms of its story and its beats. This film is released under the Disney banner, and even though the two movies are not quite the same, “Young Woman and the Sea” reminded me of another Disney live-action effort, “The Finest Hours,” another story highlighting a dangerous time in the water. That film also felt played up and perhaps overly glamourous. I think “Young Woman and the Sea” is much more engaging, but both movies share similar flaws. They are presented as these glorious tales, and to some degree, they can be defined as such. But the movies tend to push the limits in terms of how glorious they actually are.

In the end, the real question is, should you watch this movie? Absolutely. Give “Young Woman and the Sea” a shot if you have the time. It is played up and sometimes cliche, but it is nevertheless charming and inspiring. I liked all the characters in this movie. The chemistry we see between Trudy and her sister, who is wonderfully played by Tilda Cobham-Hervey, is quite good. Performance-wise, despite being a bit on the hyper side, I admired Sian Clifford as Charlotte, Trudy’s swimming trainer. Every time she is on screen she has a commanding presence. If there is any performance I remembered the most from the movie, aside from Daisy Ridley’s, it is hers. “Young Woman and the Sea” is probably not going to be on my top 10 of the year, but it is a movie that I am glad I saw. It is an effective, inspirational story of determination, feminism, and going for the impossible. I am going to give “Young Woman and the Sea” 7 seas out of–

Wait, that doesn’t sound right… I’m going to give the movie a 7/10. There, that’s better.

“Young Woman and the Sea” is unfortunately not playing in many places right now, and as of writing this, the film is not currently available to watch at home. But if it is somehow playing near you by some miracle, check the movie out if you can.

Thanks for reading this review! My next review is going to be for “Inside Out 2,” one of the biggest films of the year so far. I cannot wait to finally talk about this one. Also coming soon, I will have reviews for “Furiosa: A Mad Max Saga,” “Thelma,” “Daddio,” “A Quiet Place: Day One,” and “Maxxxine.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Young Woman and the Sea?” What did you think about it? Or, do you enjoy swimming? Tell me where your favorite place to swim happens to be! Let me know down below! Scene Before is your click to the flicks!

Pirates of the Caribbean: Dead Men Tell No Tales (2017): Jack Sparrow’s Least Memorable Quest Yet

Hey everyone, Jack Drees here! It is time for the fifth and final installment in the ongoing review series “Pirates of the Caribbean: The Chest of Reviews!” So far, each film I have talked about has impressed me in one way or another. I cannot say any of them were totally perfect, but I do recommend them for various reasons. If you want to find out more about why I recommend these movies, read my reviews for “The Curse of the Black Pearl,” “Dead Man’s Chest,” “At World’s End,” and “On Stranger Tides.” Now with that out of the way, it is time to talk about “Pirates of the Caribbean: Dead Men Tell No Tales.”

“Pirates of the Caribbean: Dead Men Tell No Tales” is directed by Joachim Rønning and Espen Sandberg, two directors known for their work on 2012’s “Kon Tiki.” This film stars Johnny Depp (Charlie and the Chocolate Factory, Sleepy Hollow), Javier Bardem (Vicky Cristina Barcelona, No Country For Old Men) Geoffrey Rush (Ned Kelly, Finding Nemo) Brenton Thwaites (The Giver, Gods of Egypt), Kaya Scodelario (Skins, The Maze Runner), and Kevin McNally (The Phantom of the Opera, Conspiracy). “Dead Men Tell No Tales” is the fifth installment to the “Pirates of the Caribbean” franchise and follows Jack Sparrow as he is pursued by a notable, ongoing threat, Captain Salazar, who was killed some time ago by Sparrow but now he returns to end Jack Sparrow’s life.

“PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES”..The villainous Captain Salazar (Javier Bardem) pursues Jack Sparrow (Johnny Depp) as he searches for the trident used by Poseidon..Ph: Film Frame..©Disney Enterprises, Inc. All Rights Reserved.

So far, the “Pirates” films have all been at the very least… “competent.” Even “Dead Man’s Chest,” which I ended up giving a 6/10, still had its moments of joy and fun. I think Gore Verbinski did a wonderful job at finding a fascinating balance between goofiness and seriousness with the first three films, even though as the trilogy progressed, the darkness kept creeping up. Although given my personal tastes, I would not call that a huge negative. As mentioned in my review for “On Stranger Tides,” Rob Marshall took on directing duties for that particular installment, which ended up providing mixed results. I enjoyed the movie. It’s a serviceable “Pirates” adventure, but I feel like Marshall, the writers, and Disney spent more time trying to think about how the film could look good in 3D as opposed to crafting a story, which is kind of unfortunate because I was rather interested in the Fountain of Youth concept.

On that note, I will address that my first positive regarding “Dead Men Tell No Tales,” despite it ultimately being released in 3D, the directors of the film did a better job at not going over the top in terms of making the film feel more like a gimmick. At the same time though I will jump to my first negative, this film is arguably my least favorite film in the “Pirates” franchise in terms of story.

On paper, I feel like this fifth film was made more or less to get people paid rather than provide an entertaining experience. I mean, come on! Was everyone so desperate for a fifth “Pirates of the Caribbean” film? But as I have learned with “The LEGO Movie,” any movie can work if you execute it properly. Did they properly execute “Dead Men Tell No Tales?”

Well, kinda. Like all the other “Pirates” films, this is an enjoyable watch. But it may also arguably be the one of the bunch that has the least potential in terms of replay value. Or at least replay value mixed with excitement. I do like how they go down the Turner lineage in this film. In the original movies we obviously see Orlando Bloom play Will Turner, a character who I have grown to admire throughout the franchise. Unfortunately, he did not have a presence in the fourth movie. In this fifth installment, we mainly focus on his son, Henry Turner. We see him early on, he’s ordered by Captain Salazar to deliver a message to Sparrow. Then we eventually see him alongside Sparrow throughout the film. I think Thwaites is one of those actors who definitely has the physique, or lack thereof in this case mixed in with some hints of charisma, to play the type of character a script like this one needs. I did not like “Gods of Egypt.” I think it is one of the worst films to have come out in 2016. But the main problem was not Brenton Thwaites as a performer. I think of the direction given to him and some of the other cast members is a hindrance on the film itself, but Thwaites is not the problem. In the same way, “Dead Men Tell No Tales” is probably my least favorite of the “Pirates” films. But there are also things to like about it, Brenton Thwaites’s performance is in fact one of those things. Although when it comes to Turners, Henry is no Will. I feel like Orlando Bloom was born to play Will Turner. As much of a match Thwaites is as his son, Will’s just a slightly more likable character. I bought Orlando Bloom as a brave apprentice in “The Curse of the Black Pearl” and ever since he has grown on me. If they make a “Pirates 6,” which seems less likely by the day given what’s going on with Johnny Depp, who does a good job in the movie, I would be curious to see Henry Turner again, I just don’t know if he’ll maintain the charisma that his father had.

If you want to get a simple perspective of my thoughts on “Pirates of the Caribbean: Dead Men Tell No Tales,” I will just sum it up like this. Even though “Dead Man’s Chest” earned a lower grade than the other four films I reviewed before this one, I at least remember a good portion of that film. I am increasingly forgetting “Dead Men Tell No Tales” by the second. It’s not that I want to forget it. It’s just not as great of a film as maybe I would have hoped to have gotten. In fact one of my complaints regarding “Dead Man’s Chest” that is also one of my complaints regarding “Dead Men Tell No Tales” is that Jack Sparrow goes through this event where he almost arguably should die. Now, it’s probably not as absurd as the one in “Dead Man’s Chest,” where we see Jack falling from such an enormous height and being completely okay. But if I put myself in another mindset, it also kind of is more absurd. It’s hard to compare these two unrealistic events in terms of which one ticks me off more. I’m not gonna say exactly what happens, but if you’ve seen “Dead Men Tell No Tales,” you probably know what I am referring to as soon as I say the word “guillotine.”

“PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES”..The villainous Captain Salazar (Javier Bardem) pursues Jack Sparrow (Johnny Depp) as he searches for the trident used by Poseidon..Ph: Film Frame..©Disney Enterprises, Inc. All Rights Reserved.

I think if there’s one thing that I like about “Dead Men Tell No Tales” it’s that there is a sense of maintained consistency between this film and all the other ones that have been done so far. A lot of the familiar music returns in this installment. Some characters like Jack Sparrow, Barbossa, and Gibbs return as their charismatic selves. Per usual, the movie does make me want to immerse myself in a high-seas adventure. Although I feel like the fun that I had in this film is a far cry from the fun I had with say “The Curse of the Black Pearl.” The supporting characters in this film, and I will also admit that the first movie had this problem to a degree, were not as fascinating as the script was trying to make them out to be. Although I do think Kaya Scodelario and once again, Brenton Thwaites, gave competent performances.

“PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES”..The villainous Captain Salazar (Javier Bardem) pursues Jack Sparrow (Johnny Depp) as he searches for the trident used by Poseidon..Ph: Film Frame..©Disney Enterprises, Inc. All Rights Reserved.

In the end, I have already forgotten a good portion of “Dead Men Tell No Tales,” and I did not want to say that. This is easily my least favorite of the “Pirates” films. I do want to watch it again at some point. Maybe it’s better the second time, but based on the collective consensus, I think most people would agree with my statement. The film looks good, sounds good, is performed decently, but they just couldn’t stick the landing. It seems as if the directors did everything they could to recapture the magic of the original movie, but as they tried to do it, they just ended up making something that would make me tune out every now and then. The vibe is okay, I just wish that it were in a better movie. Do I want to see a “Pirates 6?” I wouldn’t say no. But if we do get one, I just hope it’s better than this. I’m going to give “Pirates of the Caribbean: Dead Men Tell No Tales” a 5/10.

“Pirates of the Caribbean: Dead Men Tell No Tales” is available wherever you buy movies including DVD, Blu-ray, and 4K Blu-ray. You can also subscribe to Disney+ and watch the movie there at your convenience.

Thanks for reading this review! Also, thanks for tuning in to my “Pirates of the Caribbean: The Chest of Reviews” series. I hope you enjoyed reading these reviews! Speaking of Disney theme park rides, be sure to stay tuned for my eventual review of “Jungle Cruise.” It won’t be my next post, I still have to review “Snake Eyes.” But it is coming!

Also, stay tuned for August because I will be diving into a cult classic series that I often look back on, “Revenge of the Nerds.” That’s right! On August 9th, we will be doing a brand new review series titled “Revenge of the Nerds: Nerds in Review!” This means on Monday, August 9th, I will be talking about the first “Revenge of the Nerds” installment, which has become one of my more rewatched comedies in recent years. On August 16th, I’ll be discussing “Revenge of the Nerds II: Nerds in Paradise.” AND YES, I’ll even discuss the TV films. Look forward to my reviews of “Revenge of the Nerds III: The Next Generation” on August 23rd and “Revenge of the Nerds IV: Nerds in Love” on August 30th. I’m doing this review series, in addition to a bunch of others in honor Scene Before’s fifth anniversary. I have always wanted to do a “Revenge of the Nerds” themed month, so I cannot wait to share my thoughts on this long-awaited series. If you want to see this and more on Scene Before, follow the blog either with an email or WordPress account, and like the Facebook page, so you can stay tuned for more great content! I want to know, did you see “Pirates of the Caribbean: Dead Men Tell No Tales?” What did you think about it? Or, give me your ranking of the “Pirates of the Caribbean” films from best to worst. Which swashbuckling adventure is following its compass into the right direction? Which high-seas escape sinks into the ocean? Let me know down below! Scene Before is your click to the flicks!