Eternity (2025): Romance Isn’t Dead in This Clever Take on the Afterlife

“Eternity” is directed by David Freyne (Dating Amber, The Cured) and stars Miles Teller (Whiplash, Top Gun: Maverick), Elizabeth Olsen (Avengers: Age of Ultron, Godzilla), Callum Turner (Fantastic Beasts: The Crimes of Grindelwald, The Boys in the Boat), John Early (Search Party, At Home with Amy Sedaris), Olga Merediz (Blockbuster, Orange is the New Black), and Da’Vine Joy Randolph (The Holdovers, People of Earth). This film is set in an afterlife where people are presented with endless realms called eternities, one of which they can choose to remain for as long as they are dead. The story revolves around a love triangle in which a woman named Joan is forced to choose between spending the rest of her afterlife with her first love who died at war, or the man with whom she built the rest of her life.

Prior to watching “Eternity,” I have not seen a single trailer for the film. Anytime I go into a film without having seen a trailer, part of me gets a pep in my step, as blindness can often lead to a great surprise. I ended up checking out “Eternity” about a week before its release. The film had a press screening in Boston, a city from which I live 20 minutes north. I thought I would take advantage since I had a free Thursday night.

I am pleased to say that “Eternity” is quite good. It is not my favorite film of the year, and there are some notable problems I will bring up during the review. But it is a film that keeps a good pace, contains a likable cast, develops its characters nicely, and offers a fun take on what may happen after people die.

“Eternity” is not the first story I have seen brought to the screen that focuses on the afterlife. The film does tend to remind me a bit of other takes on it I have seen. This film reminds me of is the NBC series “The Good Place.” While I have not seen the whole series, the production design feels very similar with lots of bright colors filling the frame. As for both properties’ takes on the afterlife, that is where some of the differences start to come in. For instance, “Eternity” gives people some options on how exactly they spend their afterlife. There is a whole area of tents set up advertising all sorts of places where people can go spend the rest of their afterlives, and the possibilities feel nearly infinite. “Eternity” also establishes that there is not exactly a “Hell” or some equivalent to it where people wind up when they die. Everyone gets a chance to pick their eternity, and if they try to leave, they get chased down and sent to this film’s closest concept to Hell, which is a black void. More on that later… Also, one thing to note about these distinctions… It should not come as a surprise that there is no Hell because some of the eternities are based on seemingly unattainable desires, or bad habits. There is even an eternity dedicated solely to cigarette smoking!

A24 is a distributor whose movies always tends to get a reaction out of me, and “Eternity” is no exception. As I watching “Eternity,” a thought popped in my head that I do not tend to experience that often. Of all the A24 movies I have seen, “Eternity” may have the most franchise potential. Sure, A24 has the “X” trilogy and “The Souvenir” has two parts, but there is some really good world building and lore establishment in this film to the point where if another story in its universe were announced, I would be onboard. This film ends in a way where its main trio might not have much more of a story to tell, but I would not mind seeing another installment featuring new characters. This movie focuses on a love triangle, but it would be interesting to see what it is like for someone who never found love to have a chance to do so once they enter the afterlife. This could even spin off into a TV show. Maybe each new episode could feature the staff dealing with new people who are dying each day. They could probably make a whole season about someone who died if they wanted to go in that direction.

This film does not have a major antagonist. The biggest problem our characters face throughout the movie is that Joan is forced to choose between two men she’s loved at certain points of her life. That is the everlasting dilemma affecting our main trio. Although as mentioned earlier in the review, if someone leaves their eternity, they have to go on the run and avoid getting placed in a black void. Frankly, I think this movie would be better off if it did not have this consequence. It basically shames people for making the wrong choice even if they had the best of intentions while making it. For those who read my review for “Bone Lake,” sorry if this comment sounds familiar, but it works here too. The consequence sounds like something brought up during an episode of YouTube’s “Pitch Meeting” series, where the Executive Guy asks why a particular concept is a thing, to which the Screenwriter Guy responds “So the movie can happen!”

That said, “Eternity” is still pretty funny. In fact, this whole movie feels like an extended “Simpsons” episode. I cannot tell you every single joke or sight gag in this film, but for the most part, the movie seems to be running at a mile a minute. If you like that kind of humor, I think you will dig “Eternity.” This movie might be worth watching a second time to see if there are any jokes I missed.

Overall, this film is quite creative. There is a whole world built around what happens when people die. It gives its characters a week to choose where they would like to spend the rest of their time. I like how the film establishes there being a whole staff that has to acquaint dead people to their new environment. That said, when it comes to being a romcom, that is where things become a little more familiar. When it comes to the breakdown of how Joan navigates her dilemma, I could see certain key points of her journey coming from a mile away. That said, never once did I get the sense that any point in her journey was broken, and I do think said journey was slightly enhanced by both men being in her actual life. She had someone she was getting to know, but lost too soon. Then she had another man with whom she spent more than sixty years. It is a compelling dilemma and makes for a great story. All three of the main characters are layered and give all the exposition the audience needs to know for the rest of the movie to play out exquisitely.

In the end, “Eternity” is not only funny, but it made me think. I am 26 years old and I have never had a partner. If anything, this film made me not only think about what happens after I die, but it makes me wonder what is going to happen throughout the rest of my life. If the afterlife somehow ends up being similar to what this film presents, it makes me think much harder about any crucial life decisions I am going to make. Also, one last note, this film proves that Da’Vine Joy Randolph is a comedic force. I would love to see her as the lead in a comedy one day. I loved her in “The Holdovers.” She is also fantastic in “Eternity.” She is incredible at what she does. I am going to give “Eternity” a 7/10.

“Eternity” is now playing in theaters everywhere. Tickets are available now.

© Universal Studios. All Rights Reserved.

Thanks for reading this review! My next review is going to be for “Wicked: For Good!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Sentimental Value,” “Zootopia 2,” and “Wake Up Dead Man: A Knives Out Mystery.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Eternity?” What did you think about it? Or, if you could choose to spend the afterlife in one place, real or imaginary, where would it be and why? Let me know down below! Scene Before is your click to the flicks!

The Running Man (2025): Edgar Wright Delivers a Supersonic Ride

“The Running Man” is directed by Edgar Wright (Scott Pilgrim vs. the World, Last Night in Soho) and stars Glen Powell (Twisters, Anyone But You), William H. Macy (Fargo, Kingdom of the Planet of the Apes), Lee Pace (Foundation, Guardians of the Galaxy), Michael Cera (Scott Pilgrim vs. the World, The LEGO Batman Movie), Emilia Jones (CODA, Locke & Key), Daniel Ezra (A Discovery of Witches, All American), Jayme Lawson (The Batman, Sinners), Sean Hayes (Will & Grace, The Three Stooges), Colman Domingo (Sing Sing, Rustin), and Josh Brolin (Avengers: Infinity War, The Goonies). This future-set film is based on the book by Stephen King and follows Ben Richards who is put on a game show where he has the chance to become a billionaire by surviving for 30 days against hunters.

The 2025 adaptation of “The Running Man” is my first true exposure to the property. Yes, I have long been aware that Arnold Schwarzenegger starred in a previous adaptation years ago. It took me a while to realize that said adaptation was based on a Stephen King book. That said, I was onboard for this 2025 film just for the fact that Edgar Wright was helming it. I love his fast-paced directing style utilized in films like “Scott Pilgrim vs. the World” and “Baby Driver.” He has a knack for sick action scenes.

That said, compared to those movies, “The Running Man” does not hold a candle. Yet at the same time, like I often say about Pixar, an inferior Edgar Wright project can still equal a good movie, and a good movie “The Running Man” is.

While I have not seen the original “Running Man” film, I am aware that former “Family Feud” star and record-breaking lady kisser Richard Dawson played Bobby Thompson, a charismatic game show host. I cannot say much about Dawson’s performance given my lack of experience with the 1987 movie, but I can see why he was cast to play the character. Flash forward to 2025, where we have Colman Domingo, who last I checked, let me check my notes here =flips papers= hosted ZERO game shows. But Domingo’s performance as Bobby T makes me think he could easily kill it as a game show host in real life I would love to see what he could do on perhaps a reboot of “1 vs. 100” if that ever comes back. In fact, at times, that’s what part of “The Running Man” game show feels like, at least before “The Running Man” gets started. Maybe it is because both concepts involve one person trying to fend off a group of people.

Domingo says his role was inspired by Jerry Springer, and I can see where he is coming from, because if you watch those kinds of talk shows, even ones like “Maury” or “The Steve Wilkos Show,” there is a sense of heightened reality that those hosts are responsible for bringing to the table. In fact, when it comes to Domingo’s line delivery and the production design that often matches perfectly alongside it, it reminds me of something I and others would often compare “The Jerry Springer Show” to, specifically wrestling. The theatrics on “The Running Man” are much more extravagant than most real life game shows. At times it makes “Who Wants to Be a Millionaire?”, a show that partially succeeds on its elaborate production design, seem insignificant.

“The Running Man,” like many films set in the future, paints a dystopian, bleak picture of what’s to come. To my surprise, I found quite a bit in common with “The Running Man” and “Idiocracy.” Granted, people are much smarter in “The Running Man,” but if you look at the state of television in both films, you would notice that both heavily feature programming that focuses on people’s pain. Sure, we have that now. One of my all time favorite game shows is “Wipeout,” which features people falling from great heights in each episode. But it is on a different level in this film. Life in “The Running Man” has gotten to a point where gambling is supposedly dominating the world. For Ben Richards, getting on a game show means everything to him. Not necessarily because he likes the shows, but because those shows are a means to make a quick buck. He wants a better life for himself, his family, and game shows are a fast and easy way to get to that point.

Overall, I thought Ben Richards was a likable protagonist. The movie gives him one obstacle after another. He cares about the people he loves. I like the film indicating his distaste for being on “The Running Man” despite doing all he can to make it through. If I had one thing to say though, I feel that of all the characters in this film, Ben Richards is the most likely candidate to receive the title “character that could be played by almost anyone.” I have nothing against Glen Powell. Each role of his proves he is a movie star in the making. Powell has charisma, and he even impressed me in the neither romantic nor funny “romcom” some like to call “Anyone But You.” But as I look back at Ben Richards, I feel that this is maybe the least Glen Powell-esque the actor has been thus far. Through the films in which I have seen him, this is the most “everyday” Powell has come off.

This is a film that fires on all cylinders in act one, keeps up the pace in act two, and while it does not fall apart in act three, if I had to name a “worst act,” it is easily the third. By the time the film reaches its end, I found it to be overstuffed, too long, and close to tonal inconsistency. The third act sometimes feels slow, and slow is the last adjective I should be using to describe a movie called “The Running Man.” The movie is 2 hours and 13 minutes long, and for the most part, it is paced well. That said, the third act has a pacing problem. Certain moments of the third act feel rushed and slapped together, while others tend to drag. It lacks the personality of the acts that came before. It is not the worst schlock I have seen this year, but I do not think it is up to the standards of Edgar Wright, who is generally praised as a filmmaker. This is not Wright’s finest outing, but it does mean the movie is bad. I would still recommend it if you want a fun action-adventure.

In the end, “The Running Man” is worth checking out. The film looks great, sounds great, and at times, it feels like Edgar Wright’s passion for the material shines through. That said, there are quite a few scenes in this film that are noticeably superior to others. “The Running Man” paints a future that I can see happening. It has traces of our present with the popularity of reality TV, gambling, and humanity’s noticeable desire to see others fail for the sake of entertainment. I am going to give “The Running Man” a 7/10.

“The Running Man” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for “Eternity!” Stay tuned! Also, look forward to my thoughts on “Wicked: For Good,” “Sentimental Value,” “Zootopia 2,” and “Wake Up Dead Man: A Knives Out Mystery.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Running Man?” What did you think about it? Or, what is your favorite Stephen King film adaptation released this year? As for me, I have not seen “The Monkey” yet, so I am not sure if I can validly answer that question, but I must declare that “The Life of Chuck” is a must see if you have not gotten the chance to check it out already. Leave your thoughts and opinions down below! Scene Before is your click to the flicks!