Mortal Kombat (2021): You May Want to Get Over Here For Some Things, But Not Everything

“Mortal Kombat” is directed by Simon McQuoid and stars Lewis Tan (Deadpool 2, Into the Badlands), Jessica McNamee (Sirens, Battle of the Sexes), Josh Lawson (Superstore House of Lies), Tadanobu Asono (Thor, 47 Ronin), Mehcad Brooks (Desperate Housewives, Supergirl), Ludi Lin (Aquaman, Power Rangers), Chin Han (The Dark Knight, Skyscraper), Joe Taslim (Fast & Furious 6, Star Trek: Beyond), and Hiroyuki Sanada (The Last Ship, The Wolverine). This film is based on the iconic video game franchise of the same name and is another attempt at possibly kickstarting a big screen “Mortal Kombat” movie franchise.

This film centers around an MMA fighter named Cole Young who seeks out Earth’s greatest fighters to defeat the enemies of Outworld with the fate of universe potentially at stake.

As I mentioned in my reviews for prior “Mortal Kombat” movies, I am familiar with the “Mortal Kombat” games even though I have barely played them. I know about the bloody nature and vibe, the rivalry between Sub-Zero and Scorpion, and the fact that it has spawned a couple of the more iconic utterances in video game history. Having seen the prior “Mortal Kombat” movies and having known what I know about the games, there was potential for this movie to be really good.

Buuuuut… One thing stood in the way. Actually two things. A first time writer and a first time director.

Now, the first time writer, otherwise known as Greg Russo, is technically accompanied by other experienced people who have writing credits, but still, it is a cause for concern. But the director of this film, Simon McQuoid, has literally nobody else by his side, nor does he have any credits for prior extended content.

“Mortal Kombat” is according to IMDb, Simon McQuoid’s (left) feature-length debut. The only other credit he has is for the video short titled “The Night-time Economy.” I’d be less concerned if the film I am talking about was less expensive or not based on any iconic property, but here we are. This is a reimagining of a popular video game intellectual property and it is being done by a couple of people who may clearly be passionate about what they’re doing, but with fewer credits to their name than I would desire.

Having seen “Mortal Kombat,” let me just start off by saying that I really enjoyed the movie. BUT… My concerns were met. In fact that’s not all! Not only are the directorial and written efforts for this film a cause for concern, but I will also add the editing is mediocre at best!

I have not seen all the “Bourne” movies. I have watched the first two from start to finish, started three, never finished it. Anyway, having seen those first two, I just remember both of those happen to be one of those action flicks that occasionally thinks fast pace can sometimes be taken too literally. Every other second, there is a cut during an action scene that shows us one thing, part of that thing happening again from a different angle, maybe some shaky cam is inserted here and there, and it does not give the viewer as much time to breathe. Do not get me wrong. Fast pace is everything to me. But if you watch movies in recent years like “John Wick,” you’d notice that they sometimes avoid reliance on quick cutting for the sake of showing an overload of information at once. They let a certain shot play out for a decent amount of time, that way the viewer can determine what is going on without needing to go somewhere else in terms of an angle. In “Mortal Kombat,” while I will say, I do not find the editing *as bad* as other people have confirmed it to be, it is still sometimes distracting and despite this being a fast-paced movie, there could have been a greater effort at cutting it together. At least those are my two cents.

For all I know, this may be on the director, because again, Simon McQuoid has not had much experience when it comes to filmmaking compared to other people. He has done this film, one short, and that is about it. In fact the editors on this film are experienced. Scott Gray has credits going back to the 1990s and Dan Lebental has done a ton of the Marvel Cinematic Universe films ranging from “Iron Man” to “Spider-Man: Far from Home.” So if anything, I do not know how much blame I can put towards them. I think Simon McQuoid, who I imagine is a nice guy, may have something to do with how the film turned out in the edit.

Despite the technical difficulties, I will point out, as a 21-year-old, who really has he mind of a 12-year-old sometimes, I enjoyed myself immensely watching this movie. It is not Shakespeare, the only Academy Award I could see this film going for is for visual effects, maybe costume design, but this is a vastly entertaining adaptation of “Mortal Kombat” and frankly better than the 1995 version. It is not much better for some reasons I already stated, but better nevertheless.

When it comes to recent movies based on video games, I do think it is slightly better than “Pokemon: Detective Pikachu” but not as fun as “Sonic the Hedgehog.” I will say though, it may end up being almost as rewatchable as the latter. Simply because of the fun this film provides as it goes for the edge, kind of like the games. Seeing gross, bloody finishers are sometimes simply satisfying. If I want eye candy, I would definitely watch this movie again.

But what about characterization? Would that make me watch the movie again? Hard to say. Yes, the movie does have a ton of the iconic characters from the games and gives a lot of promising details in terms of world-building and establishing identities, but sometimes the characters themselves are somewhat forgettable as someone who has barely played the games.

The main character of Cole Young is not that bad. He serves his purpose in the film. There is nothing that I can really say about him that is negative, but to call him the most memorable character of all time would be a lie. I understand the need of changing or adding something to material that already exists, but at the same time, Cole Young is not the holy grail of characters. I did not go see “Mortal Kombat” strictly for Cole Young, and as I stayed in my chair, I was interested in his journey, but his charisma was not as high as I would have wanted it to be. Although I do like one moment where he is learning about Mortal Kombat and points out that the word “Kombat” is not even spelled right. I don’t know, it got a laugh out of me.

Although the real scene stealer in this film is Kano.

Kano. Kano. Kano.

Kano is played by Josh Lawson, who owns his particular role because of his rugged voice, Australian accent that shines all the way through, and how his character is basically written to be the wise-cracking nutjob of the bunch. He’s almost got the personality of Deadpool or a Disney sidekick comic relief if such a character took a few drugs and enjoyed the ride. Safe to say, he is easily my favorite character of the movie and I would watch a film specifically centered around him as long as Josh Lawson is playing the role! He is well-written and realized perfectly for this bloody extravaganza!

In the end, “Mortal Kombat” is not a bad film, but it is also sadly, another example of why video game movies have yet to break this rock solid barrier. The film does a good job at establishing the world in which our characters roam. Unfortunately, characterization and filmmaking techniques leave a little to be desired. Again, this is Simon McQuoid’s feature-length directorial debut and it shows. It is also Greg Russo’s writing debut, and that shows as well. I can tell that there are elements of this movie that feel like they come from people who have played the games, which is one of the major strengths that comes with it. But passion is not enough. There also has to be talent, and there is unfortunately not enough brought to the table. Maybe if they got different people or a co-director with some experience, things could have worked out. But I don’t know. I am just hoping McQuoid and Russo move up from here. I am rooting for them. Until then, I’m going to give “Mortal Kombat” a positive grade of 6/10.

I decided to give it this grade because despite not being the best film in terms of craftsmanship, even though there are various shots, effects, and costumes that looked pretty neat, it is also one of the more entertaining films I have seen in some time. If you are at the movies and are looking for something to watch, give this film a chance. You may enjoy it. I also want to see a sequel. Although if that’s the case, maybe a different directorial or writing crew would make the film better. At least that is my assumption. Again, I am rooting for McQuoid and Russo in their careers, but they personally were not off to the best of starts. But hey, we all get our starts somewhere!

“Mortal Kombat” is now playing in theaters and is also currently available for a limited time on HBO Max for all subscribers.

Thanks for reading this review! My next review is going to be for “Four Good Days” starring Glenn Close and Mila Kunis as a mother/daughter duo. The mother in particular tries to help the daughter escape her drug addiction and turn her life around. Stay tuned for that review and more great content on Scene Before! Follow either with an email or WordPress account, and also like the Facebook page! I want to know, did you see “Mortal Kombat?” What did you think about it? Or, which movie is better? 1995 “Mortal Kombat” or 2021 “Mortal Kombat?” Let me know down below! Scene Before is your click to the flicks!

Skyscraper: Die Hard Without Christmas (2018) *PLUS RANT ON OBNOXIOUS MOVIEGOERS*

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Before we aim high and go into my “Skyscraper” review, let me just say that this film revolves around a family. This family’s relationship seems to play out in a significant amount of runtime for this film. Speaking of family, a new family is bound to form in California. A couple by the name of Paul and Genevieve at one point thought they’d never see the day the dream of starting a family would ever come true. Not because they didn’t try starting a family due to a lack of motivation or something, but because they endlessly tried and had no success. This is all explained… in “What the IVF?!”

“What the IVF” is a YouTube series starring the recently mentioned couple. These two explain their journey to conception. Every Monday, a new story is told, and usually the story that’s told is never one that’s all that happy. When it comes to the story of the couple’s journey to conception, many unfortunate realities occur throughout. Experience the ride alongside Paul and Genevieve as they face the misfortunes of math, exams, anger, sex, crying, pain, needles, and pain from needles! You can find the latest episodes of “WTIVF?” on the show’s personally dedicated YouTube channel, but if you want to watch one right now, check out the latest episode that goes over the past events of the couple’s IVF journey. I’ve watched it, and trust me guys, it’s a good one, check it out. Speaking of checking things out, be sure to take a gander at the “What the IVF?” YouTube channel, subscribe, ring the bell, click whatever button will make Paul and Genevieve happy! Aside from YouTube, you can also find stuff related to the series on other forms of media, be sure to check all of that out and follow those pages. Also don’t forget to check out the website to “WTIVF?” which is included in the links below. And be sure to tell them that Jack Drees sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

“Skyscraper” is directed by Rawson Marshall Thurber (Central Intelligence, Easy A) and stars Dwayne Johnson (Jumanji: Welcome to the Jungle, Fast Five), Neve Campbell (House of Cards, Scream), Chin Han (Ghost in the Shell, The Dark Knight), Roland Møller (The Commuter, Atomic Blonde), Noah Taylor (Vanilla Sky, Shine), Byron Han (Altered Carbon, The Big Short), Pablo Schreiber (13 Hours, American Gods), and Hannah Quinlavin (Moon River, The Shanghai Job). This film mostly takes place in or around what this movie’s universe considers the tallest building in the world. Unfortunately, this building eventually gets to a point where it’s on fire, and now it is up to a man by the name of Will Sawyer, a caring father, who also used to be a US military member and FBI Hostage Rescue Team leader, to save his own family, and survive against certain individuals, not to mention, time.

My first exposure to something related to “Skyscraper” came around the time of the Super Bowl. To be more specific, I read a tweet from The Rock calling the film original. Just from that alone, I was intrigued. We’re getting as many sequels, adaptations, and reboots as we are getting news reports of someone we know or happen to like being called out for something terrible. Once I heard about this film’s “originality,” I was intrigued. But then the advertising started, and everybody started comparing it to “Die Hard.”

F*CK.

Don’t get me wrong, I’ve seen “Die Hard” and I enjoyed it. It’s been forever since my experience watching it, but I found pleasure in what was on screen nevertheless.  However, if you’re advertising yourself as an original film, although in this case, an actor from the film is doing the advertising, and a good number of people see this as a “Die Hard” wannabe, that’s not good.

And you know what? One of my biggest problems with the film that doesn’t necessarily have to do with whatever is in the final product is the marketing. Now that people are calling “Skyscraper” 2018’s “Die Hard,” apparently there was a poster inspired by “Die Hard” made for it! Not only that, but there was also a “Towering Inferno” inspired poster. What does this movie want to be? And you know what? This might be an even more important statement: What does The Rock want this movie to be? Months ago, he was saying that this is an original production, and now he’s talking about other films that were basically inspirations for “Skyscraper,” which kind of therefore makes “Skyscraper” feel less original than maybe it once was. I will say though when it comes to tone, as I watched the movie, the tone was rather clear, it was trying to be an edge of your seat popcorn action thriller. I don’t think there is anything wrong with that. And in some ways, “Skyscraper” succeeded at doing such a thing, but I wouldn’t say it was enough. Sure, it’s summertime, so big, explosive, expensive movies are to be expected, but overall the story at times is somewhat cliche and the script is predictable. There are some moments I didn’t expect, but if you don’t dive into specific detail, you might as well say the script is predictable.

In fact, some of you might be asking how predictable the script to “Skycraper” actually was. It was SO predictable, that a few audience members had a number of moments where they would say something out loud, and in a split second, that thing would happen. First off, if you’re going to the movies, PLEASE DON’T TALK! IT’S RUDE! I PAID GOOD MONEY FOR THIS! Seriously, these audience members to my left, they just couldn’t stop making noise! Granted, I talk during the movies, but only on occasion, and when I do it, I whisper. These hooligans showed up about thirty to forty minutes after the scheduled showtime, which in terms of seeing the movie, is about fifteen or so minutes through the runtime. I knew something was going to happen when I heard loud laughing from the back of the theater. Then they came into my row, and all of them were sitting to my left. DID “A QUIET PLACE” TEACH ANYTHING TO PEOPLE?! DON’T! TALK! DURING THE MOVIE! Gosh, I hate my life.

In all seriousness, the characters in “Skyscraper” weren’t really all that interesting. Sure, there’s The Rock’s character, but then again, he’s The Rock, everybody likes The Rock. I bought into his relationship with his wife, not to mention his kids. I also bought into him as a guy with a prosthetic leg. Although at the same time, I feel like a lot of people, regardless of whether or not they actually have a prosthetic leg can play this character. Maybe they can’t do it as well as The Rock, but there are times that I can probably imagine another actor in The Rock’s shoes. If you ask me, I still think The Rock is actually a fine choice for this character, but my thought still stands.

I recently mentioned that the script is a bit lackluster for this film, and when it comes to specification on that sort of thing, some of it has to do with poor characterization. If you ask me, I think when it comes to the protagonists, I don’t have too many complaints, especially when you compare that to the antagonistic side. The script spent a lot of time focusing on the main family and treating the tall building as if it was its own character. Seriously! It’s possible that the skyscraper in “Skyscraper” has more character development than the Transformers in the “Transformers” movies! As I watched this film and noticed the antagonistic side of things, I thought I was watching a film in the Marvel Cinematic Universe, because of how cliche or underwhelming or underdeveloped their villains happen to be. I wouldn’t say I thought the main villain was bad at what he was trying to do, but I just probably won’t remember him.

You know how I mentioned the mixed messages I got from the film’s marketing? This film at times did feel like “Die Hard” to me. I’ll be honest with you, I’ve never seen “The Towering Inferno” so I can’t say much about it. But there is another film I saw that I didn’t even realize would click into my mind at a certain point. Specifically, “Enter the Dragon.” If you’ve seen “Enter the Dragon,” chances are you’d know that there’s this climactic fight that takes place in this hall of mirrors. There’s a fight in “Skyscraper” that doesn’t seem to be exactly like that, but it’s very similar to it. Much like “Enter the Dragon,” this scene is competently shot and edited. There’s not a moment where I look in a mirror and notice a camera or a cameraman, then again most of this movie is on a green screen so I doubt they had actual mirrors on set. I’ve seen a number of reviews for this movie, and one comment that stuck out to me is that this movie borrows something particular from a lot of other titles, and usually that other title would do that particular thing better than “Skyscraper.” When it comes to this mirror scene, I can’t agree more. Not only was this sort of thing done better in “Enter the Dragon,” I’d say it was done better in “John Wick: Chapter 2!”

I also feel like a big problem in this movie may be because of the guy helming it. “Skyscraper” is written and directed by Rawson Marshall Thurber, and most of his work is in the comedy genre. Granted, there is comedy in “Skyscraper.” There wasn’t much, and not all of it landed for me, but it was there. This is not his first action film however, it’s not even his first film with The Rock either. One of the better movies I’ve watched during 2016 happened to be “Central Intelligence,” an action-comedy starring Kevin Hart and The Rock. I haven’t watched it since seeing it in the theater, but I had a really fun time with it and I certainly wouldn’t mind watching it again. This movie however, not so much. I wouldn’t say “Skyscraper” needed more comedy, if anything that would have killed the movie unless they were going for an R rating. It just needed a different director and better writing.

Another problem I had with “Skyscraper” is that while it was technically written and directed by the same person without cooperation from others, it almost feels like a film that a bunch of stereotypical cigar-smoking studio executives would come up with. I was exposed to a podcast recently where two guys were talking about this movie, and I actually know of these guys from YouTube too, shoutout to Chris Stuckmann and John Flickinger! They thought of “Skyscraper” as a pitch movie. It’s almost like the pitcher gave a list of movies that this can be compared to, and all of those elements can be easily implemented into the final product. And when some people think of The Rock, the phrase “big money” might possibly pop in their heads. After all, he’s a big name in current Hollywood based on the number of projects he takes on, including “Fast & Furious.” I don’t know, this just feels more like a corporate product than a movie. I saw that coming upon seeing more and more advertising, but I just can’t help but point that sort of thing out.

In the end, I wouldn’t say “Skyscraper” stands tall. Sure, the movie may be doing well overseas, but that doesn’t mean I’m seeing something of quality here. The Rock is very charming, I bought into the chemistry between him and his family members, and I do think the building had an interesting design to it. Although when it comes to overall positivity I can give, there’s very little I can give towards this sometimes badly paced, cliche, and predictable thing that some may call a film. But one thing’s for sure, this is not gonna spark any “Christmas movie or not a Christmas movie” debates. I’m going to give “Skyscraper” a 4/10. Thanks for reading this review! Be sure to stay tuned for upcoming content, including my “Mission: Impossible: Fallout” review, and I do have some other films in mind when it comes to future reviews. These films include “Eighth Grade,” “Sorry to Bother You,” or if I have an excuse to do an older film review series like I did with “Mission: Impossible,” I’ll be sure to get that going sometime as well. Stay tuned for more reviews and other great content! I want to know, did you see “Skyscraper?” What did you think about it? Or, what is your favorite movie starring The Rock? Mine is “Fast Five,” let me know yours down below! Scene Before is your click to the flicks!