Brett Gelman

Boy Kills World (2023): Bill Skarsgård Lets the Bodies Hit the Floor in This Adrenaline Rush of an Action Flick

Posted on by Jack Drees

“Boy Kills World” is directed by Moritz Mohr (Akumi, Ronin 2035) and stars Bill Skarsgård (Malignant, It), Jessica Rothe (Mary + Jane, Happy Death Day), Michelle Dockery (Downton Abbey, Good Behavior), Brett Gelman (Stranger Things, Fleabag), Isaiah Mustafa (It Chapter Two, Murder at Yellowstone City), Yahan Ruhian (Warrior, Bullet Train), Sharlto Copley (Hardcore Henry, Monkey Man), H. Jon Benjamin (Bob’s Burgers, Archer), and Famke Janssen (X-Men, Taken). This film is set in a dystopian time and is about a deaf and mute person who is trained to become an instrument of death. Now he must use all that he knows to achieve revenge over the murder of his family.

If I were to make a top 10 most anticipated movies of 2024 list at the beginning of the year, there is a solid chance “Boy Kills World” probably would not have been on there. Why? Because I had no idea about it. But had I seen the marketing for it at the beginning of the year, I probably would have considered sliding it into one of the spots, or at least noting it as an honorable mention. “Boy Kills World” looked like a bloody good time. And if you put Bill Skarsgård, one of this generation’s great actors together with H. Jon Benjamin, one of this generation’s great voiceover artists, you may have a recipe for a winning combo. On paper, this sounds like my kind of movie. In execution, this is most certainly my kind of movie. It is like if “Deadpool” had a baby “John Wick: Chapter 4” and it just so happened to be set in a environment straight out of “The Hunger Games.” I am not even a huge “Hunger Games” fan, but my god, is this movie delicious…

“Boy Kills World” is as simple as can be when it comes to the premise. Basically, a guy has to survive against his enemies all to get to a specific person he needs to kill. But the way this movie goes about it is unbelievably satisfying. Technically speaking, this movie has a color palette that bridges a gap between grit and fantasy… Fluid camerawork that flawlessly showcases an endless series of incredible action sequences from start to finish… And on top of that, some surprisingly intricate and palatable production design. For a movie set in a dystopian future, I was pleasantly surprised to know how much pizazz said future has.

The costume design in this film is a bit of a standout to me. It is kind of all over the place in terms of color, design, and vibe. But the movie somehow makes all of those costumes feel consistent with one another. Each costume suits the characters’ personalities in addition to the personality of the movie itself.

Going back to the “Deadpool” meets “John Wick” comparison, this movie, much like those, involves our main character looking for a little payback in honor of those he loves. Also like both movies, our protagonist, in this case, Boy, is a mastermind when it comes to killing. The stellar choreography we see from him certainly adds to the thrills as well. And much like “John Wick: Chapter 4,” I found this movie to be very video game-esque. Every other moment, our protagonist has something new to fend off, and each time, it is done with a lovingly quick pace. The action not only looks great, but it is to some degree, nonstop. In fact, one could argue that this movie is more video game-like than “John Wick: Chapter 4,” because the main character does not speak. You ever play a video game like “The Legend of Zelda” or “Portal” where everyone has lines except for the main character? That’s what this movie reminds me of. Except in this case, unlike say Link from “The Legend of Zelda,” we actually get some context fed to us as to why Boy does not speak, and it works.

The closest we get to the main character speaking is H. Jon Benjamin being a guiding voice for our protagonist, and he does an excellent job all the way through. He has a lot of lines in this movie. While I sometimes complain about actors, particularly in voiceover roles, playing themselves like Dwayne Johnson and Kevin Hart practically did in “DC League of Super-Pets,” I am going to give H. Jon Benjamin a pass because there is an endless sense of energy in his performance. He is one of the best parts of this movie, and we do not even see him! On top of that, if you have never heard H. Jon Benjamin’s voice, turn on any episode of “Bob’s Burgers” right now because he is legendary. There is a saying in film that you should show instead of tell. That should always be the priority. But if you want to know how much I enjoyed this movie, I will remind you that H. Jon Benjamin’s “telling” is probably some of the coolest I have witnessed in cinematic history. He can make anything sound epic, and he is only helped by a dynamite script.

It only makes sense that someone like H. Jon Benjamin would have a voiceover role in this film, because not only does it feel like a video game, it has a lot of cartoony elements. Yes, the movie is live-action. But going back to the costumes, the movie rides a fine line with them to the point where they feel authentic, but fantasy-like. The violence is over the top, creative, and bloody to no end. A lot of the dialogue is expressive, comedic, and leans into an occasional digression here and there. Also, one of the key points of this movie is the Culling, which gathers 12 people who are going to be murdered on live television. The way the movie goes about handling something like this, to my surprise, makes me buy it. If you ever watch live sports, you would notice how riddled they are with commercialism and sponsorships. When we get to the Culling, we find out the assigned killers are dressed as breakfast cereal mascots. I do not want to see a future where we have deadly events like this. But if we ever get to that point, I can see a timeline where something like this happens. After all, people need to get paid, and big corporations need to sell cereal. It’s a win win. And in “Boy Kills World’s” favor, it adds to the humor of it all despite the movie being dark and gory. There is a fun side to it.

This movie is not only killer when it comes to style, but it slays when comes to substance. Story-wise, the movie does a good job at letting us get to know about not just our protagonist, but it also does the same when it comes to handling his sister. I thought she was a standout. From the marketing, this looks like a movie that was going to deliver on action, maybe let the story take a back seat. But no, I was pleasantly surprised by how invested I became in the plot, and the details of our protagonist. This movie has multiple winning combos. A revenge tale mixed with a dystopian vibe. One of this generation’s great physical actors mixed with one of this generation’s great voice talents. And on top of the sick action, you have an admirable story. What more could you want out of a movie like this?

In the end, it is a shame that “Boy Kills World” only made 3 million bucks at the box office, because it is one of my favorite films of the year so far. It kind of reminds me of one of my favorite comedies of last year, “Bottoms,” not only because it delivers on laughs, but because it is set in a world that makes up an occasionally absurd set of rules that I can somehow buy into. If you want to see action that pushes the limits, this movie is for you. If you are not a fan of blood, violence, gore, or seeing people get killed in creative ways, maybe stay away from this one. But I am a sick person, so this movie was certainly for me. I am going to give “Boy Kills World” an 8/10.

“Boy Kills World” is unfortunately, not playing in many theaters right now. I checked for showtimes in Los Angeles and New York City and could not find anything. If you live where I live, in Massachusetts, there is one theater playing it in Rockport right now. Not sure where else it is playing. But if it is playing near you, see it. I endorse this film. Otherwise, you can preorder it right now to watch on VOD.

Thanks for reading this review! My next review is going to be for “Challengers!” Stay tuned! Also, be sure to check out my reviews for “The Fall Guy,” “Tarot,” “IF,” and “The Garfield Movie.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Boy Kills World?” What did you think about it? Or, what is a movie you saw this year you wish more people were aware of? Let me know down below! Scene Before is your click to the flicks!

Strays (2023): 2023’s Sausage Party, with Dogs

Posted on by Jack Drees

“Strays” is directed by Josh Greenbaum (Single Parents, Fresh Off the Boat) and stars Will Ferrell (Step Brothers, Barbie), Jamie Foxx (The Amazing Spider-Man 2, Ray), Isla Fisher (Keeping Up with the Joneses, Tag), Randall Park (Fresh Off the Boat, WandaVision), Brett Gelman (Fleabag, Stranger Things), and Will Forte (Scoob!, Saturday Night Live). This film is about a dog who is abandoned by his owner. After realizing what has happened to him, he aspires to get revenge.

I am the furthest thing from a dog person. Now, having just pissed off half of humanity and perhaps destroyed any chance of being in a committed relationship, I should have you know that I was looking forward to “Strays” ever since seeing the first trailer. This film looked hilarious, over the top, and filthy. I can go for all three of those things every once in awhile. In fact, this summer, we are starting to see a comeback of these three things, specifically when it comes to putting them all together in the same movie. “No Hard Feelings” delivered plenty of laughs and despite its taboo premise, ended up feeling as cute as it was naughty. “Joy Ride” is one of the funniest, most well-written comedies I have seen in a long time, and it is all the better given how far it takes itself in terms its dirty content, not to mention depth when it comes to story.

Next up on deck when it comes to this style of comedy, is “Strays.” The big difference here is that the film does not revolve around humans, and instead, personified dogs. So, is it delightfully naughty or insanely revolting?

The answer, somewhere in between.

Now, before we go any further, sometimes watching a movie with somebody else can define the experience. I am the kind of person that would be more than okay sitting next to my mom and watching “The Wolf of Wall Street.” That said, I went to “Strays” not only with my mom, but also my grandma. Needless to say, both individuals were okay with it. To my delightful surprise, both happened to enjoy the movie, but they appeared to be a bit surprised by how far it took certain things. As someone who appreciates dark humor, I was trying to my hold laughter back in certain scenes, especially with these two nearby.

My mom reads this blog, by the way. Hello!

That said, even in the darker, filthier moments, I came to the conclusion that this movie ultimately comes off as one big gimmick. Heck, there are tons of talking dogs on screen. It’s a gimmick of a gimmick! It’s gimmickception! With that being said, seeing a dog say “f*ck” one or two times can be funny. Heck, even a family-aimed movie like “Puss in Boots: The Last Wish” contained some pretty foul language from a canine. That moment in particular was one of the better parts of the movie. But a movie like “Strays” can reveal why more does not always equal better. I admire when a movie is willing to push the boundaries with its comedy, especially when it may look innocent on the surface. But the funniest moments in “Strays” are not even the naughtiest ones. A lot of the funnier moments in the film range from random witty remarks to physical gags that would even fly in a tamer environment. There are also plenty of jokes that are specifically dog-related or are likely to be appreciated by dog lovers or owners. Those tended to work as well.

Although speaking of inside baseball when it comes to dogs, I am well aware that dogs tend to get scared during loud sounds such as fireworks. There is a scene in the film I thought was particularly well done involving fireworks. The reason why I found this scene compelling was because of how it was spliced together in the edit, and the way it uses sound. Because I have heard fireworks in person. I do not know why people even like them. I mean, sure, they are a spectacle, but they sound as if someone is constantly battering a drum right into your ear. I have always had sensitive ears, and I do not know how other people felt watching this movie, if they had the same experience I did. But this movie tends to use fireworks in a way to simulate a dog’s perspective of hearing them. I may not have a dog’s sense of hearing, but the fireworks scene in this film honestly took me back to when I was dragged by others to a fireworks show. Safe to say, I may have been more well behaved during certain dental procedures throughout my life.

Another highlight of the movie is the casting. Will Ferrell is incredibly good as Reggie. Picking Ferrell to play the lead role was a smart choice because not only has he proven to be good with voiceover through his roles in “The LEGO Movie” and “Megamind,” but he continues to have a knack for comedy. Sure, I thought he may have been the weakest part of “Barbie,” but if you watch last year’s holiday movie “Spirited,” now streaming on Apple TV+, he still has charm and wit like he has shown in various projects many years ago.

Also joining Ferrell is Jamie Foxx as Bug. I love these two dogs together. They are quite the odd duo. These two could not be further apart personality-wise, but their separation works for the story and execution brought to the table. If anything, their connection gave me a similar vibe to, speaking of Will Ferrell, his character’s connection to that of Mark Wahlberg’s in “Daddy’s Home.” As much as I did not enjoy that movie, the two had halfway decent chemistry at times.

“Strays” is a blend between “The Secret Life of Pets” and “Sausage Party.” It is a film featuring talking animals, in this case dogs, where they all blend together, act as one big ensemble, and do anything to stand by each other. But much like “Sausage Party,” the film takes a concept that has primarily been aimed at families over the years, specifically stories revolving around dogs, and flips it on its head with a perverted twist. The idea of a dog wanting to bite its owner’s junk may work in a family movie as a blink you’ll miss it moment, but not as an extended motivation for the protagonist. The way Reggie’s motivation is built up works perfectly and it makes sense once it is first exposed. As a start to finish narrative, “Strays” is finely tuned.

Although when it comes to being a comedy, “Strays” is a complicated balancing act. There are a lot of moments in the movie that had me dying of laughter, but then there are plenty of moments that had me silent. While I have respect for how far the movie goes with its content, its extremes on both ends make me hesitate to give this movie my recommendation. This is far from the funniest comedy of the year. In fact, as much as I love dark humor, there might have been one or two moments that I honestly wish I had not seen. Maybe the movie was trying to be gross to come off as funny, but it solely came off as gross as far as I am concerned. When it comes to gross humor this year, “Joy Ride” may be the clear winner right now. But that’s just me.

In the end, “Strays” is… fine. I admit, when the first teaser came out, I did have high expectations. But I was kind of disappointed with this movie. It was not as funny as I wanted it to be. The filthier moments were honestly not as appealing as I would have expected them to be. And as the movie went on, this felt like one giant gimmick that played out for an hour and a half. I compared this movie to “Sausage Party,” which some people may understandably call a gimmick as well. But I think that movie was a lot funnier, had a more satisfyingly twisted concept, and had an incredible narrative that came off as layered. But I should also note, I was 16 when I watched “Sausage Party.” I was less mature and did not know as much about movies at the time. As I watched movies and comedies over the years, I continue to feel like I have nearly seen it all. I have not witnessed many examples of perverted dog movies, but I just wish I could have seen one that made me leave feeling I witnessed something better. That said, the movie is still on the positive end of the spectrum, so I am going to give “Strays” a 6/10.

“Strays” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next reviews are going to be for “Gran Turismo,” “Meg 2: The Trench,” and “Bottoms.” Stay tuned! If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Strays?” What did you think about it? Or, what is your favorite R-rated comedy? Let me know down below! Scene Before is your click to the flicks!