Drive-Away Dolls (2024): Margaret Qualley and Geraldine Viswanathan Sparkle in a Quickly Paced, Splendidly Realized Thriller

“Drive-Away Dolls” is directed by Ethan Coen (The Big Lebowski, No Country for Old Men) and stars Margaret Qualley (Once Upon a Time in Hollywood, Fosse/Verdon), Geraldine Viswanathan (Blockers, Miracle Workers) Beanie Feldstein (Booksmart, Neighbors 2: Sorority Rising), Colman Domingo (Ma Rainey’s Black Bottom, Rustin), Pedro Pascal (The Mandalorian, The Last of Us), Bill Camp (The Queen’s Gambit, The Night of), and Matt Damon (Oppenheimer, The Martian). This film centers around two women who find themselves intertwined with crime-riddled shenanigans during their last minute road trip to Tallahassee, Florida.

So far, February has not been kind to yours truly. At least in terms of the movies we are getting. Shoutout to “Madame Web” for literally slapping me across the face, kicking me in the shin, and gouging out my eyeballs. Then again, it’s February. I should not be surprised that we are getting some underwhelming sacks of crap. But even over the past decade there is often at least one film in February that not only stands out, but ends up being a contender for best film of the year. In 2014 there was “The LEGO Movie.” In 2016 there was “Deadpool.” In 2019 there was “How to Train Your Dragon: The Hidden World.” But in this instance, it seems that February is back to its usual shenanigans of destroying any chances of good times at the movies unless the movie you’re seeing came out in the previous year.

Well, “Dune Part Two” happened, but that’s another story for another time.

Speaking of “Dune Part Two,” I have to say of all the movies coming out in February this year, “Drive-Away Dolls” takes my second place position for my most anticipated title of the month. That is one spot below “Dune Part Two,” so at least I had something to look forward to the week before that one came out.

And thankfully, I would have to say “Drive-Away Dolls” is a delight. It contains two likable leads, a well-rounded supporting cast, and plenty of intriguing moments that are accentuated by good characters. Many of the film’s wins perhaps would not be possible if it were not for Ethan Coen’s vision. I have not seen all of the Coen Brothers’ movies, regardless if they are solo or together. That said, this one works because it successfully delivers a big bang in such a short runtime. The scenes fly by partially because of fast-paced dialogue and fairly tight editing. There are moments to breathe, but I will not deny that the movie gives quite a bit in just 84 minutes including credits.

Technically speaking, this is one of the most vibrant films I have watched in recent memory. This film is colorful, bright, and polished. One film I watched earlier this month was “Lisa Frankenstein,” and in that review I say the film “looks like something from another world.” When I look back at that movie and compare it to “Drive-Away Dolls,” they sometimes feel similar from a looks perspective. Both offer spectacular lighting that offers a bit of variety from scene to scene. Some of the costumes in both projects stand out. And there are moments where even the sets are easy on the eyes. There is a particular hotel in “Drive-Away Dolls” that not only looks exquisite, but beautifully fits the tone of the movie. Every moment we spend in this hotel with our two leads is worthwhile.

Speaking of the two leads, not only do Margaret Qualley and Geraldine Viswanathan give solid performances that allow the duo to be as dynamic as possible, but I cannot see anyone else playing them. I have respect for both of these actresses. I have not had a ton of experience with Margaret Qualley, but I thought she shined like the sun in “Once Upon a Time in Hollywood,” one of my favorite Quentin Tarantino flicks. I noticed some of her mannerisms from that movie seem to make their way into her role of Jamie as well. And while I would not specifically call “Drive-Away Dolls” a comedy per se, there are plenty of comedic elements. There is a natural goofiness, if that is even the correct term to use, to the main duo that is incredibly palpable. The movie does a good job at fleshing this duo out and authenticating them. They feel like they belong in a world like the one this movie presents.

And of course, Geraldine Viswanathan plays the other leading lady, Marian. Sticking with the comedy aspect, I think Viswanathan also does a good job at playing up some of the more comedic parts of the film. I should not be surprised though given her background. She was in one of my favorite comedies of 2018, “Blockers.” She was also a regular in TBS’s “Miracle Workers,” which is a fantastic show. Viswanathan is a natural when it comes to matching her personality with the movie’s tone.

But just because there are comedic moments in the film, does not mean the it refuses to get serious for a moment or two. Multiple tones intertwine beautifully and in no way feel inconsistent. That said, knowing what this movie is about, how the events progress, and the way everything unfolds, of course comedy is to be expected out of something like this. I do not want to give any spoilers as to certain things that happen in the movie as the marketing shrouds some things in secrecy and I was admittedly surprised when certain things come up, but this movie gets wild.

On top of Qualley and Viswanathan, you have an amazing group of supporting actors. Need any more proof this film scores big in the comedy department? Watch Beanie Feldstein play Sukie the cop. Perfect is a word I wish to use sparingly in life, but Feldstein’s performance comes close to perfection. Bill Camp as Curlie has a notable presence throughout the picture. And Matt Damon easily makes the most of his screen time. Similarly, I think I made the most of my time watching this film. I would give it a thumbs up.

In the end, “Drive-Away Dolls” is quite good! In fact, sometimes, it delivers a flair only a movie of its kind can bring to the table. Great acting. Great directing. Eye-popping aesthetics. What more could you want? “Drive-Away Dolls” is not the most surprising movie of all time, and when it comes to quality I have to admit there are better movies from the Coens, not to mention in general, but if you want a good movie that could make for a decent one time watch, “Drive-Away Dolls” is an entertaining ride. I am going to give “Drive-Away Dolls” a 7/10.

“Drive-Away Dolls” is now available to rent or buy on VOD.

Thanks for reading this review! If you liked this review, I have more coming! Stay tuned for my thoughts on “Bob Marley: One Love,” “Dune Part Two,” “High Tide,” “Kung Fu Panda 4,” and “Ghostbusters: Frozen Empire.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Drive-Away Dolls?” What did you think about it? Or, what are some good road trip movies that come to mind? Let me know down below! Scene Before is your click to the flicks!

Dark Waters (2019): WARNING: This Movie May Contain Man-Made Chemicals That Become Attached To You

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“Dark Waters” is directed by Todd Haynes (Carol, Velvet Goldmine) and stars Mark Ruffalo (Spotlight, The Avengers), Anne Hathaway (Interstellar, The Intern), Tim Robbins (The Shawshank Redemption, Mystic River), Bill Camp (Molly’s Game, Vice), Victor Garber (The Orville, The Flash), Mare Winningham (Grey’s Anatomy, Amber Waves), and Bill Pullman (Independence Day, The Equalizer). This film is based on true events, it’s inspired by particular news articles, most notably Nathaniel Rich’s New York Times Magazine piece, “The Man Who Became DuPont’s Worst Nightmare,” and is about a case involving the chemical company DuPont, who has been called out in the past for putting various dangerous man-made chemicals into products. Due to this, many deaths have occurred, some people have facial deformities, this movie basically focuses on some negative effects of the corporation. The movie dives deep towards the perspective of Robert Bilott, an attorney investigating the situation and its effects.

We are nearing the end of November, and with that in mind, it is perhaps without question that we as a moviegoing audience are being blessed with one god-like piece of material after another. Earlier this month I saw “Honey Boy,” an Amazon Original that made me argue whether or not Shia LeBeouf writes better than he acts. I soon saw “Ford v. Ferrari” which is one of the best racing movies I have ever seen. And the day before I saw this current movie that I’m talking about, I went to the cinema to go watch “Knives Out,” which is just pure fun. Enough said. It’s one of those movies that feels incredibly wild and it is all the better for it. Although unlike “Knives Out,” which I have been hearing about since some of the cast happened to be announced, I do not recall hearing much at all about “Dark Waters.” It’s one of those movies that just sneaked up on me. But I had a chance to go to a free screening on the day it opened in Boston, so I took advantage of that.

“Dark Waters,” on the surface, had a number of things going for it. It has a cool cast. Mark Ruffalo is pretty big right now, Anne Hathaway is one of my favorite actresses working today, and I should not go without mentioning Tim Robbins, who I did not know was in this movie until after I saw it, but he was in perhaps in 1994’s best film, “The Shawshank Redemption.” Let me just say something, this movie is no “Shawshank.” Not even close. I enjoyed it, but it’s no “Shawshank.” Part of why I feel this way is because of how much I tried to recall upon trying to write about this movie. Part of me almost forgot about a core element about the film and its screenplay in particular, which stood out to me when I saw it, but somehow it just slipped out of my mind almost as if this were a disposable comedy or something that I’ll watch once until I move onto the next thing.

But with that in mind, I still enjoyed what was in front of me. The story itself is one of those that I thought worked well for the big screen, even if it did take more than few moments to get me fully onboard. I think the performances given by multiple actors, leading and supporting, make this film watchable. I’d also say that it is an appropriate film for this time considering how it partially involves how big corporations are harming their consumers, plus to add onto that, the main message is about the environment and how we need to be aware of what we’re doing regarding it. Not only that, but we, the consumers, are not the only ones to blame for what’s being done. Will this film be forgotten over time? Hard to tell. It’s not the most popular film out right now, but at the moment, if a good number of people see it, it may reflect the current state of our environment to them.

I sort of mentioned this already, but the actors here do pretty well, and I think the two leads in particular, Mark Ruffalo and Anne Hathaway, have terrific chemistry and are extremely suitable for their roles. Mark Ruffalo plays an environmental lawyer who is trying to hold DuPont accountable and the movie managed to put me on his side, I also really enjoyed the moments where he was interacting with a farmer. That may have been one of the more hypnotizing scenes of the whole film.

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But if you ask me, the best performance in the film probably comes from Anne Hathaway, and this delights me to no end. Not just because I am a fan of Anne Hathaway, not just because she was in a few of my favorite movies ever, but also because she was just in a TERRIBLE movie this year called “Serenity,” which was a step down for her, and for a few others who were involved with that project as well. Now, Hathaway has bounced back with what I think may be one of my personal favorite performances from her. She plays the wife of the main character, and there are various scenes where she’s observing her husband doing things that might as well make him look bats*it crazy. Just about every execution of a line given by her was perfect.

I gotta say though, this movie has problems. It has been almost two weeks since I saw this in the theater, but even with that, this movie is a tad forgettable. I remember various portions of it, but it doesn’t feel like something that I’d salute for the rest of my life. I don’t know why, but this movie feels like a restaurant located in my town that I have only gone to once, liked, but because of competition, specifically in said town, there is a good chance I will not be returning anytime soon. The pacing was alright, but there is minor room for improvement. But I think the biggest flaw this movie has that I can think of is the ending. I say that because without going into spoiler territory, it feels incredibly abrupt. It’s not like the movie ends and it doesn’t make sense, but it ends leaving this weird taste in my mouth. I dunno… This is one of the weirdest movies I have seen this year. When I saw it, I enjoyed it thoroughly, but at the same time, I am having this weird spiral of memory loss when I try to think about it. For the record, I am twenty years old, not eighty. I think my memory itself is in rather good standing.

In the end, I do think “Dark Waters” is a really interesting, not to mention informative story. This movie I believe exists more to inform than to entertain, which is not necessarily a bad thing. I don’t know if they have ever done a documentary on this, but if not, I guess this is about the closest we’ll get to having a documentary. Hang on a sec… *Switches tab* WAIT! Just Googled it, there is a documentary. I take that statement back! I think the movie is well acted, well shot, the color grading kind of works for the film at hand, but I don’t think it’ll win best picture. Although this movie is from Participant, who made last year’s Best Picture, “Green Book,” so you never know. I should point out, it barely has a release whatsoever, so we’ll have to see how far this movie can expand before we make any further conclusions about box office, popularity, or overall potential to be recognized this award season. Until then, I’m going to give “Dark Waters” a 7/10.

Thanks for reading this review! My next review is going to be for “A Beautiful Day In the Neighborhood,” a movie which at one point, may have been one of my most anticipated of 2019. Will it live up to the hype? You’ll have to find out for yourself! Be sure to follow Scene Before either with an email or WordPress account if you want greater access to the site, and also check out the Scene Before Facebook page! I want to know, did you see “Dark Waters?” What did you think about it? Or, what is your favorite Anne Hathaway performance? Let me know down below! Scene Before is your click to the flicks!