Drive-Away Dolls (2024): Margaret Qualley and Geraldine Viswanathan Sparkle in a Quickly Paced, Splendidly Realized Thriller

“Drive-Away Dolls” is directed by Ethan Coen (The Big Lebowski, No Country for Old Men) and stars Margaret Qualley (Once Upon a Time in Hollywood, Fosse/Verdon), Geraldine Viswanathan (Blockers, Miracle Workers) Beanie Feldstein (Booksmart, Neighbors 2: Sorority Rising), Colman Domingo (Ma Rainey’s Black Bottom, Rustin), Pedro Pascal (The Mandalorian, The Last of Us), Bill Camp (The Queen’s Gambit, The Night of), and Matt Damon (Oppenheimer, The Martian). This film centers around two women who find themselves intertwined with crime-riddled shenanigans during their last minute road trip to Tallahassee, Florida.

So far, February has not been kind to yours truly. At least in terms of the movies we are getting. Shoutout to “Madame Web” for literally slapping me across the face, kicking me in the shin, and gouging out my eyeballs. Then again, it’s February. I should not be surprised that we are getting some underwhelming sacks of crap. But even over the past decade there is often at least one film in February that not only stands out, but ends up being a contender for best film of the year. In 2014 there was “The LEGO Movie.” In 2016 there was “Deadpool.” In 2019 there was “How to Train Your Dragon: The Hidden World.” But in this instance, it seems that February is back to its usual shenanigans of destroying any chances of good times at the movies unless the movie you’re seeing came out in the previous year.

Well, “Dune Part Two” happened, but that’s another story for another time.

Speaking of “Dune Part Two,” I have to say of all the movies coming out in February this year, “Drive-Away Dolls” takes my second place position for my most anticipated title of the month. That is one spot below “Dune Part Two,” so at least I had something to look forward to the week before that one came out.

And thankfully, I would have to say “Drive-Away Dolls” is a delight. It contains two likable leads, a well-rounded supporting cast, and plenty of intriguing moments that are accentuated by good characters. Many of the film’s wins perhaps would not be possible if it were not for Ethan Coen’s vision. I have not seen all of the Coen Brothers’ movies, regardless if they are solo or together. That said, this one works because it successfully delivers a big bang in such a short runtime. The scenes fly by partially because of fast-paced dialogue and fairly tight editing. There are moments to breathe, but I will not deny that the movie gives quite a bit in just 84 minutes including credits.

Technically speaking, this is one of the most vibrant films I have watched in recent memory. This film is colorful, bright, and polished. One film I watched earlier this month was “Lisa Frankenstein,” and in that review I say the film “looks like something from another world.” When I look back at that movie and compare it to “Drive-Away Dolls,” they sometimes feel similar from a looks perspective. Both offer spectacular lighting that offers a bit of variety from scene to scene. Some of the costumes in both projects stand out. And there are moments where even the sets are easy on the eyes. There is a particular hotel in “Drive-Away Dolls” that not only looks exquisite, but beautifully fits the tone of the movie. Every moment we spend in this hotel with our two leads is worthwhile.

Speaking of the two leads, not only do Margaret Qualley and Geraldine Viswanathan give solid performances that allow the duo to be as dynamic as possible, but I cannot see anyone else playing them. I have respect for both of these actresses. I have not had a ton of experience with Margaret Qualley, but I thought she shined like the sun in “Once Upon a Time in Hollywood,” one of my favorite Quentin Tarantino flicks. I noticed some of her mannerisms from that movie seem to make their way into her role of Jamie as well. And while I would not specifically call “Drive-Away Dolls” a comedy per se, there are plenty of comedic elements. There is a natural goofiness, if that is even the correct term to use, to the main duo that is incredibly palpable. The movie does a good job at fleshing this duo out and authenticating them. They feel like they belong in a world like the one this movie presents.

And of course, Geraldine Viswanathan plays the other leading lady, Marian. Sticking with the comedy aspect, I think Viswanathan also does a good job at playing up some of the more comedic parts of the film. I should not be surprised though given her background. She was in one of my favorite comedies of 2018, “Blockers.” She was also a regular in TBS’s “Miracle Workers,” which is a fantastic show. Viswanathan is a natural when it comes to matching her personality with the movie’s tone.

But just because there are comedic moments in the film, does not mean the it refuses to get serious for a moment or two. Multiple tones intertwine beautifully and in no way feel inconsistent. That said, knowing what this movie is about, how the events progress, and the way everything unfolds, of course comedy is to be expected out of something like this. I do not want to give any spoilers as to certain things that happen in the movie as the marketing shrouds some things in secrecy and I was admittedly surprised when certain things come up, but this movie gets wild.

On top of Qualley and Viswanathan, you have an amazing group of supporting actors. Need any more proof this film scores big in the comedy department? Watch Beanie Feldstein play Sukie the cop. Perfect is a word I wish to use sparingly in life, but Feldstein’s performance comes close to perfection. Bill Camp as Curlie has a notable presence throughout the picture. And Matt Damon easily makes the most of his screen time. Similarly, I think I made the most of my time watching this film. I would give it a thumbs up.

In the end, “Drive-Away Dolls” is quite good! In fact, sometimes, it delivers a flair only a movie of its kind can bring to the table. Great acting. Great directing. Eye-popping aesthetics. What more could you want? “Drive-Away Dolls” is not the most surprising movie of all time, and when it comes to quality I have to admit there are better movies from the Coens, not to mention in general, but if you want a good movie that could make for a decent one time watch, “Drive-Away Dolls” is an entertaining ride. I am going to give “Drive-Away Dolls” a 7/10.

“Drive-Away Dolls” is now available to rent or buy on VOD.

Thanks for reading this review! If you liked this review, I have more coming! Stay tuned for my thoughts on “Bob Marley: One Love,” “Dune Part Two,” “High Tide,” “Kung Fu Panda 4,” and “Ghostbusters: Frozen Empire.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Drive-Away Dolls?” What did you think about it? Or, what are some good road trip movies that come to mind? Let me know down below! Scene Before is your click to the flicks!

Booksmart (2019): Olivia Wilde Rocks Our World

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“Booksmart” is directed by Olivia Wilde (Tron: Legacy, The Incredible Burt Wonderstone) and stars Kaitlyn Dever (Last Man Standing, Justified) and Beanie Feldstein (Lady Bird, Neighbors 2: Sorority Rising) as two academic besties who feel the need to let themselves have some fun, which is something that according to them, they have failed to do throughout their four years of high school. And as the movie suggests, the two carry the urge to have such fun in just a day away from their graduation.

I saw a trailer for “Booksmart” back in March. And when I saw it, I got a mixed first impression, because I didn’t become attached to the main duo in the two provided minutes. But the concept became increasingly interesting as the trailer came to a close, and it did have one or two funny lines in it. So yeah, I was kinda onboard. Then as the movie’s release date got closer and closer, I noticed all sorts of press screenings and overwhelmingly positive reactions that the idea of wanting to see this movie only became more front and center. In fact, going into “Booksmart,” it felt like I was going to see “Blockers” mixed with a buddy cop film. Granted, everyone seems to be comparing this movie to Judd Apatow’s “Superbad,” but I haven’t seen “Superbad.” I want to see it, but I just haven’t got around to it. Maybe when I pick up the Blu-ray I’ll give it a go. This doesn’t mean I wasn’t still slightly concerned, because the marketing also gave me an impression that this would be like a propaganda piece because you had all of these female leaders in one clip of the movie. I don’t really have a problem with that, but it also gave me the impression that this movie was just gonna go ahead and say “F*CK MEN!” the entire time. Luckily, that’s not the case. In fact, there’s a joke towards the end of the film about the typical “straight white male” that I thought was utterly hilarious. You’ll know it when you see it. And for those of you who are new around here, this is coming from a straight white male.

I mentioned the hype for this movie, and while I know that the comedy genre tends to put out more disposable movies compared to genres like period pieces and screw it, I’ll be biased, science fiction. There is one thing that got me intrigued, and that is the high Rotten Tomatoes score. From a critical perspective, I recall seeing it at 100% at one point. Right now, it’s at 98%. Then I saw a couple of people in the industry such as Ryan Reynolds reacting to the movie on social media with immensely positive thoughts.

As for my overall impression of the movie itself, it was pretty well done. In fact, from a filmmaking perspective, this is better than I ever could have anticipated. I seriously mean that because there’s this one clip with a long take that as far as straight-up comedies go, can probably qualify as a cinematic achievement. But speaking of comedy, not all the jokes land. There’s a lot that do, but it’s not perfect.

In fact, at the beginning, there’s one joke that not only manages to get a head-raising laugh from me, but I thought it was also an effective way to establish one particular character’s personality. If only more jokes were that funny in the movie. In fact, when it comes to personalities, the main duo has great chemistry together.

Yeah, I could totally buy Kaitlyn Dever and Beanie Feldstein’s friendship, I can buy that the two are academics that put work before partying. Even when there are instances when they shy away from that connected academic/professional personality, their chemistry still manages to work for the way this movie tends to flow. These two are brainiacs who wouldn’t mind having fun, and manage to have each other’s back. In fact, when it comes to how their relationship plays out, it kind of hit me to the core. There are some ways that I’d say that this movie reminded me of a movie that I did not even think I would compare this to, specifically “Lady Bird.” I won’t give much away for either of these movies, and if you ask me from a critical perspective, I’d say this movie is nowhere near as excellent as “Lady Bird,” but it did remind me of that film.

Why was this movie off and on in terms of humor? Well, there are various moments and utterances of dialogue that had me cracking up, but one example of when the movie would slide down a hill is from a recurring gag. There’s this one character played by Carrie Fisher’s daughter, Billie Lourd (American Horror Story, Scream Queens) who was kind of funny when the movie first started out, but she had this one thing that kept happening in the movie that was part of what made her funny, but the more it happens, the more it feels like I’m being beaten over the head. The ongoing gag did not insult my intelligence, which if anything, since this film is called “BOOKSMART,” I think it would be the most ironic thing in the entire history of the universe if that actually happened, but it was just a slight hindrance to my experience. Lourd played her character with excellence, but the script didn’t always make her presence worthwhile.

But in all honesty, when I first saw the currently incessant TV spots, I was given the impression that while this was definitely going to have elements of a coming of age story, I thought it was going to be a lot goofier than it actually turned out. This felt a lot like “Tag,” where there’s tons of humor intact, but it’s all surrounded by one emotional punch. Maybe it partially has to do with timing because I graduated from high school from last year, and in a way, despite not having that many friends I hang out with, I can kind of relate to the relationship of the two main characters. I’m not saying I’m entirely like them, because I definitely worked hard in high school, but I feel like there are certain points that I felt the need to rebel. Because let’s face it, high school sometimes felt robotic. It felt like what was being taught to me at times was being taught through an assembly line-like process. And when I left high school, I honestly couldn’t be happier. Yes, I’ll miss my friends that I made along the way who I may only talk to through social media in the future. But I won’t miss the times when I went through various obstacles of feeling like I didn’t fit in. I won’t miss the subjects I regretted learning about. I also won’t miss what was quite honestly, a beyond underwhelming senior year. Sure, it had its moments, but as I was becoming an adult, there were times when I felt like I was occasionally getting my own kiddie table. Unlike the main characters of Amy and Molly, I didn’t go to any single party that my classmates flocked to (and yet I somehow won Best Dancer). I don’t regret my choices, but the fact that I’m being treated like an adult in college only makes me appreciate that concept much more.

And speaking of college, I can honestly say that this movie may become increasingly relevant giving what’s happening in the news. Because there’s a segment of the movie where one of the main characters is talking to people who may present themselves as idiots, but somehow managed to get into places like Harvard, Yale, and Stanford. This movie premiered at South by Southwest this year, which happened in March, but if this movie had more time to shoot and release perhaps during the holiday season, they could have probably added something to the script about the college admissions scandal that’s been going on. Maybe we’ll save it for a sequel. I would not mind seeing one.

In the end, “Booksmart,” might not be getting an A from me, but it should not frown upon its final, respectable results. I will say that when it comes to the ending of the film, that is one of my core problems that is probably going to stick with me for some time. If it was slightly rewritten, I would have appreciated it more. Because this movie towards the end was going in one direction and I admired it for going in such a direction. However, the last bits of dialogue change that. If you ask me, the exchange was kind of corny and almost left a bad taste in my mouth. It was somewhat out of left field and unexpected. If the movie ended JUST before that, I think the ending would have been solid, and one of the better ones I’ve seen this year. But no! Let’s throw a curveball in there! Wow. Back to back sentences with baseball terms, isn’t that a hoot? Although to be serious, “Booksmart” is funny, charming, and definitely gets me interested for whatever else Olivia Wilde has up her sleeves in terms of her directing career. I’m going to give “Booksmart” a 7/10. Thanks for reading this review! I just want to remind everyone if you noticed anything different about my blog, you might notice my domain. While I’m still calling this blog Scene Before, if you ever want to tell your friends about it, tell them to go to http://www.flicknerd.com. Why flicknerd.com? Because nerds rule and flicks are sick, that’s why! As for new content, I am steadily approaching post #300. For that post, I will be providing an update on my Blu-ray collection! Be sure to follow Scene Before with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Booksmart?” What did you think about it? Or, since “Aladdin” just came out and I’m willing to bet most of my viewers saw that this weekend as opposed to “Booksmart,” is Will Smith a good genie? Let me know down below! Scene Before is your click to the flicks!