Top 10 BEST Movies of 2024

Hey everyone, Jack Drees here! It is time to list my top 10 BEST movies of 2024! We just did the worst list, and I mean it when I say the bad movies this year where on a different level. That is not a sugarcoat. That is the honest truth. But it does not mean there were no good movies this year, as you will see in a moment. But before we get to that, I would like to remind everyone this is a subjective list. By no means is this list supposed to influence you into liking these movies. These are recommendations, these are endorsements, but they are also my own opinions. If you dislike any of the movies on this list, do as I said on the worst list if you like any of the movies I hated, make your own list! Also, I did not see every movie that came out this year. I missed “Moana 2,” “Despicable Me 4,” “The Substance,” “Heretic,” “Terrifier 3,” “Fly Me to the Moon,” “Wolfs,” “The Best Christmas Pageant Ever,” “Emilia Pérez,” among others. Not to mention “The Brutalist” has yet to come out in my area. Also, all the movies on my list are theatrical releases. There are no streaming, DVD, or TV exclusives. With that said, let’s start off by naming some honorable mentions that I have enjoyed throughout the year.

Honorable Mention: Daddio

My first honorable mention is “Daddio.” This film stars Dakota Johnson as a passenger in a taxi and Sean Penn as her driver. The movie has a lot to say about people judging others by what they see. It shows how if we were to get to know people on a deeper level, we would sometimes be surprised by what we learn about them.

Honorable Mention: The Fall Guy

“The Fall Guy” is director David Leitch’s love letter to stuntwork. If you have ever watched a movie and were wowed by the stunts, make an effort to check “The Fall Guy” out. The film not only has something for everyone, but such concepts are realized to their maximum potential. Also, Ryan Gosling and Emily Blunt have terrific chemistry on screen.

Honorable Mention: Flow

And lastly for honorable mentions is “Flow.” I was floored by this film during my initial watch of it in the theatre. This is an animated flick containing no dialogue and no human voices. The only noises that come close to dialogue in “Flow” are animal sounds. If you are looking for a textbook definition of “visual storytelling,” “Flow” is definitely it.

Now for those of you who follow the blog, you may be aware that I scored “Flow” a 9/10. You might be thinking this would have ended up in the top 10. The reality is, I think some, if not all, of the films on this list will probably have more replay value for me over time. Nevertheless, “Flow” is an undoubtable achievement. Give it a watch if you can.

Now to 10 more movies you should also give a watch when you get the chance… These are my top 10 BEST Movies of 2024.

#10: IF

Starting off the top 10 is “IF,” which is short for “Imaginary Friends.” This is a movie that I had iffy, no pun intended, thoughts about as I went into it. Then my screening finished, and I immediately thought it was one of the most heartfelt and nostalgically wonderful movies I can recall watching. This is a film I can recommend to just about anyone. It is a great watch for both kids and adults. “IF” highlights the importance of maintaining your inner child. Many of us growing up have imaginary friends, and those connections fade over time. This film presents moments when our adult characters probably need those imaginary friends more than ever. Ryan Reynolds plays a major role in the film, and he gives a surprisingly quiet performance. If you watch him in films like “Free Guy” or “Deadpool,” you would get the sense that Reynolds is a bit of a loudmouth. Not here. I love Reynolds as a movie star and this is one of the better performances I have seen from him. “IF” is directed by John Krasinski, and this is his first feature outside of the “Quiet Place” franchise. When it comes to the mood of each of these films, these could not be more different. But it shows Krasinski’s versatility as a filmmaker. I cannot wait to see what he comes up with next. On top of all of this, Michael Giacchino’s score is a banger. It does a great job at matching this film’s cheerful and optimistic spirit. When I review movies and say I would listen to the score on my own time, sometimes I end up doing so, other times I likely forget about it. This is one where I ended up listening to the score on my own time. It is great in the movie. It is stellar on its own. As a film, “IF” is one of my biggest surprises of the year.

#9: Abigail

If you have ever wanted to see a ballerina vampire torment some folks on screen, then “Abigail” is definitely for you. “Abigail” is directed by Matt Bettinelli-Olpin and Tyler Gillet, the same duo behind “Ready or Not.” While this film is not quite as good as “Ready or Not,” it maintains a very similar vibe. Not only is the film scary and tense, but it is also distinctively funny. I do not know of a proper adjective for the kind of humor presented in both of these films, but I certainly laughed a lot watching them. The film also has a great cast including some bigger names like Giancarlo Esposito, Kathryn Newton, and Dan Stevens just to name a few. However, the scene stealer is Alisha Weir, the young girl who plays this film’s titular vampire. Her character is written and executed with an extreme sense of unpredictability. I can imagine Weir had a lot of fun playing her. You could even say she had just as much fun as I did watching her on screen.

#8: Sing Sing

Coming in at number 8 is “Sing Sing.” Of all the movies I saw this year, this is the one that arguably put the biggest smile on my face. This film showcases the importance of art as an escape. As for this film’s cast of characters, they are a group who embrace that idea, especially considering their situations. The film is occasionally serious. After all, it is set in a prison. But my favorite moments of the movie are when we get to see our cast making a play, escaping into their characters, rehearsing, any instance of them leaving their world so they can enter another one. It reminds me of why I love art. Colman Domingo gives one of my favorite performances of the year and as soon as the movie ended, I felt an incredible sense of joy. Again, this is an occasionally serious film, but if you are looking for a feel good movie, I highly recommend “Sing Sing.”

#7: A Quiet Place: Day One

I enjoy the “Quiet Place” franchise, but not a single film from it made my top 10s at the end of the year after they were released. That changes now, because I think “A Quiet Place: Day One” may be the best film in the franchise yet. This film sees the rise of its patented creatures, the Death Angels, as they wreak havoc in New York City. This is an incredible concept considering how one of the main objectives the characters in the “Quiet Place” franchise have to take on is not uttering a sound. We see this reality take effect in one of the loudest cities on earth. The film introduces some compelling characters who I rooted for the entire time. While this film is scary, I still find the first “Quiet Place” movie to be the most terrifying in the franchise. It may be due to the novelty the film had when it came out. Although I will also say that of all the “Quiet Place” movies, I think “Day One” is perhaps the most exciting one yet considering its huge scale, likable leads, and compelling screenplay.

#6: Dune: Part Two

I ended up watching this next film for the first time on February 29th, a day that comes only once in a blue moon. On that note, movies as satisfying and thrilling as “Dune: Part Two” also come once in a blue moon. I really enjoyed the first “Dune” movie but I think everything that was great about 2021’s “Dune” is improved even by the slightest of margins in this 2024 sequel. The fight choreography had me on the edge of my seat. The cinematography is grander in scope. The color spectrum is more eye-popping. The journey is more engaging and better paced. Many people say the first “Dune” feels like a part one. After all, these two films are one book split in half, but I see the first “Dune” movie as a full story where its protagonist has a solid arc. At the same time, this film does successfully pay off some of the things that were teased in the original film. We get to see more of Zendaya’s character, Chani, and she does a good job with the role. The scene where Paul Atreides rides a sandworm for the first time will go down as one of my favorites of the year. Seeing that come to life in IMAX was jaw-dropping. Also, just like the original movie, Hans Zimmer kills it here with the score. A score like the one here continues to support why he rivals John Williams as my favorite film composer working today.

#5: Saturday Night

This next film spoke to me on a personal level. Not necessarily because I am a loyal fan of the show it is about, though I do find it entertaining. But as someone who works in live production, I have to put “Saturday Night” somewhere on this list. This film beautifully captures the stress that comes with live TV, an industry I just so happen to be a part of. Everything is down to the wire, and in some cases, there is a sense that anything can or will go wrong at the moment you least expect. “Saturday Night” is this year’s most fast paced, heart-racing anxiety trip. It throws a lot of material into an hour and a half of storytelling, and not a single moment of it is boring. The film contains a stacked cast who all play their parts well. This film is a perfect balance of comedy and drama. There are a lot of lines and gags that go hard but at the same time, I understand that these characters are probably under their own degrees of stress. They have a lot of prep work to deal with. They are a bunch of nobodies trying to make names for themselves. They do not know if their show is going to make it to air. This film is directed by Jason Reitman. I happen to like a number of his films including “Ghostbusters: Afterlife,” “Juno,” “Tully,” “Young Adult…” But I think “Saturday Night” is easily my favorite of his so far.

#4: The Wild Robot

Honestly, my top 4 are almost interchangeable. You could almost label my top 4 films as a tie and finish the list right there. But at this point, these films are very close to matching in quality. That said, I would be an idiot to miss out on telling you that “The Wild Robot” is an exceptional picture. I am not a parent, but I can easily recommend this film to any parent who has ever lived. In the simplest terms, the film is about the journey of parenting. Only thing is, the task is taken on by a robot and they have to raise a gosling. The robot realizes that the journey in raising this young bird is beyond her programming. Sometimes she will resort to improvisations and sacrifices. Some people say parenting is the hardest job in the world, and this movie brings that saying to life. You are literally raising someone who knows you from the minute they are born, and the process prompts tons of questions that not everyone would know the answer to. Much like “IF,” the film is great for kids and adults, but I think there will be plenty of adults who enjoy it more than kids because there is a lot that speaks to people at a certain time in their lives. The animation style, while sometimes a little cheap-looking, is unique and sometimes wows the eyes. This is a great film for family movie night, but if any parents are reading this, be very careful because you might shed a tear.

#3: Anora

Coming in at #3 is “Anora,” which is by far the craziest trip of a movie I have seen all year. Watching this movie is like drinking 10 cups of coffee. It will keep your eyes wide open. This movie has two imperfect, but extremely likable main characters. You have Vanya, a spoiled child of a wealthy oligarch. And you also have Ani, a sex worker played by Mikey Madison, an actress who I think has a pretty decent shot at winning an Academy Award this year. This movie puts these two people together until something happens where they are told to drift apart. While one would not be wrong to call this film a drama, I would also say “Anora” is one of the funniest movies of the year. It has a vibe of a grounded Tarantino flick like “Reservoir Dogs” or “Pulp Fiction.” If I had to pick a favorite second act of a movie I have seen in 2024, I think “Anora” would be my winner. My auditorium burst into chaotic laughter so many times during this portion of the film. Experiences like the one I had with “Anora” solidify why I love going to the movies.

#2: Look Back

One of the reasons why I put “Saturday Night” on this list is because of how much I was able to attach the movie to my own life. The same can be said for my next pick, “Look Back.” For those looking for something short to watch, you are in luck. This movie is just a tad less than an hour so it is barely a feature by some stretch of the imagination. That said, the hour is filled with absolutely powerful material. The film showcases the importance and unpredictability that can come with friendship. We see our main character, Fujimoto, befriend a shut-in named Kyomoto. The two vary in terms of their personalities but they end up bringing out the best in each other. Both end up making manga together, and Fujimoto helps Kyomoto come out of her shell. This movie truly spoke to me as an artist. We see early on that Fujimoto is a dedicated manga artist for the school newspaper. But when Kyomoto jumps on the scene with her own manga, Fujimoto’s peers start to think her drawings are inferior, therefore prompting her to try as hard as she can to improve her work. I think many artists, myself included, get a little jealous when we see someone we think is better than us at our own craft. Then we get to the second half of the movie, where things just take a turn. It is moving, sad, and utterly powerful. This year has presented some unique animation styles. We saw 2D and 3D blend together in “Inside Out 2.” We saw fantastical vibrancy that almost feels lifelike in “Transformers One.” We saw a variety of animation choices come to life in “The Wild Robot.” “Look Back” is also rather unique. It sometimes transports into the style of manga drawings with consistent colors or even black and white. On top of all of this, “Look Back” has one of my favorite musical scores of the year. Haruka Nakamura delivers some booming orchestral pieces that floor me just thinking about them. Again, this is a short movie. So if you are looking for something to watch in just a short span of time, this could work. But if you cry easily, you might want to keep the tissues on standby.

#1: Deadpool & Wolverine

If you read my rankings for the worst movies of 2024, you would notice one consistency on that list. Much to my disappointment, it happened to be comic book movies. These films have defined me as a moviegoer and most of them have been fun to watch over the years. Though this year was a complete letdown. That is excluding one crystal clear diamond in the rough. My #1 movie of the year is “Deadpool & Wolverine.” You can make an argument that I am rather predisposed to this movie, but it does not change the fact that out of all the experiences I have had watching films this year, this was by far the most entertaining. This is a film that honestly shattered my expectations. I am still iffy over Disney buying Fox and the ramifications of said purchase, but if we keep getting movies as exciting as this, I am willing to acknowledge any positive that comes my way, and this is a big one. Admittedly, while I have watched Hugh Jackman play Wolverine in films before, this latest outing of his does not offer the same nostalgia value that “Spider-Man: No Way Home” did in 2021 with their supporting webheads. However, that may also suggest how great this film is as a standalone feature. It is definitely a movie where certain viewers will probably pick up select details others might miss, but it also has a lot that general audiences can savor. Stunningly choreographed action that is gracefully edited. Excellent meta humor that rivals the previous two “Deadpool” installments. And an overall pace that flies by.

Yet at the same time, this film is not short on fan service. Going back to “Spider-Man: No Way Home,” as much as I loved the film, part of me saw its surprise cameos coming. “Deadpool & Wolverine” on the other hand caught me so crazily off guard multiple times. Just when I thought this film unleashed its most out of left field character, it sets off another bomb that somehow drops my jaw even further than it did previously. These surprise characters also do more than just wave at the camera, they actually serve the story.

“Deadpool & Wolverine” won me over as a Marvel fan. It won me over as someone who enjoys watching Ryan Reynolds and Hugh Jackman. It won me over as someone who grew up with Shawn Levy as a director. One of my first movie theater experiences is his family film, “Night at the Museum.” I am so happy to see Levy’s career continue to the point where he gets to helm one of the most graphic comic book movies ever. For the record, if I were to rank the “Deadpool” movies, I still think the original is the best one. This one would be a strong second, however. The “Deadpool” trilogy as a whole has proven to be a success. I also think this sparks some good news for the MCU after a rough patch in the Multiverse Saga. I liked every film since “Endgame,” but my opinion would be challenged by casual and hardcore fans alike. Some would say the universe itself has become convoluted with so many characters and ideas to the point where some of the projects feel like homework. That said, if watching “The Falcon and the Winter Soldier” on Disney+ feels like homework, then “Deadpool & Wolverine” feels like coming to class, the teacher brings in the TV, and we just watch something fun for the entire period. “Deadpool & Wolverine” is a movie that does not take itself too seriously and offers a relaxing vibe despite its gratuitous violence and excessive use of the f-word.

Out of all the films I have seen in 2024, this is the only one I ended up watching three times. And this is definitely a film I recommend watching more than once because I ended up noticing certain details and jokes that I missed before. “Deadpool & Wolverine” does not lose its edge by the third viewing. Each watch is as thrilling as the last. That said, my first viewing of “Deadpool & Wolverine,” the only time I watched it in cinemas, was by far my favorite filmgoing experience this year. My friend and I had a great time. There was no shortage of laughing and cheering from the crowd. “Deadpool & Wolverine” is a film that I want to watch again with a friend or two who never saw the film, just to find out how they would react to it.

Is the film perfect? No. Like a lot of Marvel movies, I think the villain could be better, but given all the other positives the movie has, that is a small price to pay. “Deadpool & Wolverine” is the most entertaining cinematic experience I have had in a long time. It was the movie event of the year. It is also the BEST movie of 2024.

Thanks for reading this countdown! I appreciate all your support throughout another exciting year for film. No perfect movies this year, but a lot of really good ones. I will take the hits as they come along. With these countdowns out of the way, I would like to take this time to announce a new project I am working on. So far, I have no movie reviews on deck. January is a rather slow month for film, and I took the last weekend to travel a bit. Though in addition to these countdowns, I am also planning on doing my top 10 BEST and WORST movies of the 2020s so far. That includes all the movies I saw from 2020 to 2024. These are going to be published in the same order as the yearly countdowns, so expect my worst list coming soon!  If you want to see projects like this one and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, what are your best movies of 2024? What movies hit you where you live? Let me know down below! Scene Before is your click to the flicks!

Anora (2024): A Truly Rad Concept That Fully Embraces Its Chaotic Nature

“Anora” is written and directed by Sean Baker (Red Rocket, The Florida Project) and stars Mikey Madison (Better Things, Once Upon a Time in Hollywood), Mark Eydelshteyn (The Land of Sasha, Pravednik), Yura Borisov (AK-47, Guest from the Future), Karren Karagulian (Red Rocket, The Florida Project), Vache Tovmasyan (Lost & Found in Armenia, Golden School), and Aleksei Serebryakov (Nobody, McMafia). This film follows the relationship between an exotic dancer and the son of an oligarch. Once the son’s parents find out the two have married, they do what they can to declare it invalid.

We are reaching the end of the year, which as far I am concerned, means it is crunch time. There are so many movies coming out that I would like to see, or in cases like “Wicked,” kind of have to see to stay in the conversation. I have so many movies on my radar to the point where I do not know if I have the ability to watch all of them. I have several reviews on the to-do list, including this one. Of the films that are on the lineup, “Anora” is an utmost priority. The biggest reason is because the film won the Palme d’Or at the Cannes Film Festival. Of the last five films that won the Palme d’Or, three were Best Picture nominees at the Oscars, and Bong Joon Ho’s “Parasite” ended up winning the Academy’s coveted title for the year it was nominated. Additionally, I also glimpsed at one of the trailers for the movie and it was one of my favorite trailers I have seen this year. It promised a compelling story with an individualistic flair about two characters who I ultimately looked forward to seeing on screen.

But I was not prepared for what kind of movie this was going to be. I had a suspicion that “Anora” was going to be good. I also had a suspicion that “Anora” was going to be unique. I had a suspicion that “Anora” was going to be an experiential event. But even as the movie unfolded, I was marveled by whatever the heck it was I was seeing. This movie has a pace to it that really should not work, but for whatever reason it does. There is a key scene in the second act that drags itself out so heavily and takes its time, but never once does a single moment of it feel wasted. Why? Because it contains characters that I care about, and even if some of them are not exactly role models, I am nevertheless in a trance as I find out what their next move is going to be.

The stars of this movie are Mikey Madison and Mark Eydelshteyn and whereas you might look at a lot of other movies and find couples to be matches made in Heaven, I’d argue these two are a match made in Hell. I do not mean that as a negative. If anything, these two have some of the best chemistry in an on-screen couple I have come across in recent memory. But as people, these two are not perfect, arguably on purpose. You have Ani (Madison), who works as a stripper in a club, and Vanya (Eydelshteyn), who stays at home playing video games all day. Granted, he and his family can afford it, so it could be worse. But he is a bit of a spoiled brat. But both actors play these imperfect people to a tee and watching them together is exciting. Every moment they are on screen together, I bought into their connection. Sometimes certain absurdities come up between them, but the movie maintains an atmosphere that makes you buy into said absurdities. Individually, I honestly think Mikey Madison is going to be up for several high caliber awards this season. There are still plenty of movies on the way, but if the Academy Awards were tomorrow, Madison might be my pick to win Best Actress.

Screenplay-wise, this film is one of the finest of the year. It contains great dialogue, even from the most minor of characters. I bought into every single character as they were presented on screen. This is a screenplay that at times is about the little things. You have the main dialogue, of course. But when that is not being brought to life, we see little quirks or trademarks come up for certain characters and I fell in love with some of them as they occurred. The script for this film has the style of a Coen Brothers movie like “The Big Lebowski” if it were directed by Quentin Tarantino. Honestly, there is a scene that in terms of pace and line delivery, I would have assumed was straight out of “Pulp Fiction.”

“Anora” is a near perfect film, but if I had to name any problems with it, that would be easy. This movie’s first two acts fire on all cylinders. I was engaged the entire time, and I was immersed into the story and its characters. But the third act, while still good, loses some steam for me. It is kind of like “Speed.” The film is fantastic and some of Keanu Reeves and Sandra Bullock’s best work, but the movie peaks at a certain point in act two. The rest of the movie is good, but not as hypnotic as it previously was. But never once did I feel bored or disengaged to the point where I wanted to leave.

I beg of you, watch “Anora” in a theater. Specifically, if you can, watch it in a crowded auditorium. If you are in New York or Los Angeles, part of me assumes this could be an easy task to accomplish depending on the time, but if you live somewhere else, take as many friends as you can. Ask friends of friends if they want to come. I am of the belief that every movie is better in the theater, and “Anora” is a testament to that. This is one of my favorite theatrical experiences I have had this year, partially because “Anora” just so happens to be one of the funniest movies I have watched this year. I am so happy to have been able to check it out in a nearly sold out screening. I was in an aisle seat and I was doing my best not to fall into said aisle sometimes.

In the end, “Anora” is fantastic! I know this is a rather vague review. But I am leaving it vague on purpose. Because other than seeing one trailer, I went into “Anora” blind. And I think that is the best way to experience this film. Because yes, I drew comparisons to films like “The Big Lebowski” and “Pulp Fiction,” but this is a unique movie with some of the most engaging storytelling I have come across in a long time. It is a great story that highlights class in addition to people doing what they can to get by. The movie almost drags towards the end. The third act is easily the weakest in my opinion. Maybe that’ll change with a rewatch. Who knows? But if you are looking for something original this awards season, “Anora” is worth checking out. It is also responsible for one of my favorite scenes of the year that in a lot of other movies would probably be half as long. But for whatever reason, it goes on for such a long time and I have no complaints about it. I am going to give “Anora” a 9/10.

“Anora” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My final Election Days review is coming up, and it is for “Elvis & Nixon.” The film is a lot of fun and I cannot wait to talk about it. As for new releases, stay tuned for my reviews for “Here,” “Gladiator II,” “Red One,” “A Real Pain,” “Y2K,” “Juror #2,” and “Wicked.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Anora?” What did you think about it? Or, what is a film that you really enjoyed but would also claim to be at its worst in the third act? Let me know down below! Scene Before is your click to the flicks!