The Fall Guy (2024): David Leitch’s Love Letter to Stuntwork

“The Fall Guy” is directed by David Leitch (Bullet Train, Deadpool 2) and stars Ryan Gosling (Barbie, La La Land), Emily Blunt (Oppenheimer, Edge of Tomorrow), Aaron Taylor-Johnson (Godzilla, Bullet Train), Hannah Waddingham (Ted Lasso, Sex Education), Teresa Palmer (The Choice, Point Break), Stephanie Hsu (Everything Everywhere All at Once, Joy Ride), and Winston Duke (Us, Black Panther). This film is inspired by a 1980s TV series of the same name and centers around a Hollywood stuntman named Colt Seavers who is tasked with finding the missing star of a film directed by his ex.

July 21st, 2023 to me will forever be known as one of the biggest days in the history of moviegoing. You have two high profile films opening on the same day, “Barbie” and “Oppenheimer,” both of which have high anticipation and dedicated audiences. Both films ended up making tons of money overtime with “Barbie” becoming the biggest film of the year and “Oppenheimer” earning more at the box office than any other biographical film in history. Now, less than a year later, a couple of the stars from those competing movies join forces for “The Fall Guy,” a project I was curious about for some time. You have “Barbie’s” Ryan Gosling, who I’d argue gave the best supporting performance of the past year. And you have “Oppenheimer’s” Emily Blunt, who also stood out in her role.

This leads to my first positive of the film. Gosling and Blunt’s characters, Colt and Jody, are a match made in Heaven. And I am not necessarily talking about their attachment to each other, or much they like each other, or how good they look together.

Although to be real, they do look pretty freaking good together…

In fact, the movie makes it clear that these two are not always on the best terms. But what I mean is that these two, even in moments where they clearly are not supposed to align with each other, have undeniable chemistry. Honestly, it is some of the best chemistry I have seen in a big budget movie in a while. I am not going to pretend that either one of these actors are giving performances equal to their “Barbenheimer” outings, but when it comes to “The Fall Guy,” these two deliver stellar portrayals of their respective characters, and when they are on screen together, it is simply put, magical.

There are a lot of stories out there in the realm of movies where the people behind the projects are expressing their passion for the craft. Steven Spielberg’s “The Fabelmans” does a good job at tributing filmmakers trying to get into the industry. Damien Chazelle’s “La La Land” is a salute to the dreams of stars, including hopeful actors. I even thought Kevin Smith’s “Clerks III” was a great encapsulation of what it is like to make a passion project. What it is like to be an auteur. What it is like to take on such a monumental effort of a film without realizing what it is you’re getting into. Similarly, “The Fall Guy” is clearly a love letter to stuntwork. The movie itself is about a stuntman, has tons of stunts in it, and it is directed by someone who has a history of overseeing stunts in film. David Leitch has helmed some of the biggest action movies in recent years like “Deadpool 2” and “Fast & Furious Presents: Hobbs & Shaw.” Before that, he was responsible for stunts in “The Matrix Reloaded,” “Underworld: Evolution,” “300,” “Tron: Legacy,” and “Jupiter Ascending.” On paper, if anybody was qualified to direct “The Fall Guy,” it would be David Leitch. In execution, the results are fantastic.

“The Fall Guy” is packed with one thrilling action sequence after another. Whether it is a simple moment where you have characters on foot, a high speed chase through the city, or a so-called fight in an apartment, everything in this movie had me glued to the screen. Even the moments where we just watch Colt Seavers doing his job is engaging as heck. One of the best scenes of the movie is where we see his character repeatedly set on fire. Not only does it showcase the dangers of his job, but again, this movie is a love letter to stunts, and it also showcases what the people making our movies go through for our entertainment. This movie showcases that in a way that is informative while also doubling as a standout scene.

One thing I always noticed in David Leitch’s movies is that at some point, there will be at least one big A-List celebrity cameo. In “Hobbs & Shaw,” the movie seamlessly finds a way to have Kevin Hart and Ryan Reynolds pop up for a scene. During my initial watch of “Bullet Train,” I found myself delightfully shocked to see the latter of those two actors appear in that film for a hot second. Without giving much away, the last moments of “The Fall Guy” has a cameo from a celebrity that I am sure many of you reading this would probably know. As far as cameos go, it is probably one of my favorites in recent years. I burst into pure laughter when this person showed up. Regarding who that person is, I will just let you find out for yourself.

“The Fall Guy” is one of those movies that is clearly going after a wide audience. If it sticks the landing, that is of course, a big fat win. And thankfully, it does. Perhaps the biggest compliment I can give “The Fall Guy” is that the movie presented itself in such a way to the point where my mom ended up going to the theater to check it out. Turns out, she had a great time. She is not an action movie person. But I must say that if you do not like action movies and are hesitating on checking this film out, I would hold those hesitations at the door and give the movie a shot anyway. Because this film is more than just action. It also does well in the humor department. I found myself laughing quite a bit. I also would say the film works well as a romance story. It does not feel overly cheesy, and as mentioned, I like the two leads enough to the point where I would not mind seeing them together in a relationship. With “The Fall Guy” going after a multitude of demographics, perhaps even the “Swiftie” crowd at one point, it is arguable that there is some noticeable potential for disappointment because of how many things the movie tries to shove in a single package. But somehow, everything flows naturally.

“The Fall Guy” is probably not going to win any Oscars. Not only because there is no such thing as a Best Stunts category. By the way, I was not surprised that the movie found a way to note this fact in the script. But on top of that, I would imagine “The Fall Guy” is not the kind of movie the Academy would hail as one of the year’s best. It could pick up a technical nomination or two. But I doubt it is going to get much more than that. But this is the kind of movie that I think is best watched with a group of people. The film is now available to stream at home, so you could gather some friends and watch it at your place. But if you want my recommendation, if “The Fall Guy” is playing in a theater near you, go see it there. The action is worth seeing on the big screen. The sound is incredible. And it is undoubtedly an immersive experience. Nothing beats watching Ryan Gosling speed through the city in a car with a dog who only understands commands in French. And it is even better on the big screen.

In the end, “The Fall Guy” is a rare flick that has something for everyone, and also one where those somethings exceed the bare minimum. “The Fall Guy” is a movie that I would honestly recommend to just about anyone looking for something to watch because if you are not an action junkie, I think this is nevertheless a fairly accessible title. It’s got comedy. It’s got romance. It’s got drama. It’s got all you can want in a movie. As far as mainstream titles go, this should have done a lot better at the box office than it did. Ryan Gosling and Emily Blunt are excellent in the film. As for other standouts in the cast, I really enjoyed Hannah Waddingham as Gail, a producer on Jody’s film. If you do watch “The Fall Guy,” please stick around for the credits. There are some cool behind the scenes moments you might not want to miss. I am going to give “The Fall Guy” an 8/10.

“The Fall Guy” is now playing in theaters and is available to rent or buy on VOD.

Thanks for reading this review! Coming soon, I will have reviews for “Tarot,” “IF,” “The Garfield Movie,” “I Saw the TV Glow,” “Back to Black,” and “Summer Camp.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Fall Guy?” What did you think about it? Or, if you could take one star from “Barbie” and one star from “Oppenheimer” and put them in a movie together? Which ones would you want and what would the movie be about? For me, I’d love to see Simu Liu and Florence Pugh do a movie together where they play love interests. I think they’d have good chemistry. Let me know your selections down below! Scene Before is your click to the flicks!

Violent Night (2022): A Movie So Naughty It Deserves to be On This Season’s Nice List

“Violent Night” is directed by Tommy Wirkola (What Happened to Monday, Hansel and Gretel: Witch Hunters) and stars David Harbour (Black Widow, Hellboy), John Leguizamo (Ice Age, The Menu), Alex Hassell (The Boys, Cowboy Bebop), Alexis Louder (Copshop, The Tomorrow War), Edi Patterson (Plan B, Vice Principals), Cam Gigandet (The O.C., Reckless), Leah Brady (The Umbrella Academy, Erin’s Guide to Kissing Girls), and Beverly D’Angelo (National Lampoon’s Vacation, American History X). This film is set during Christmastime, and when a family gets together at a large house to celebrate the holiday, a group of mercenaries attempt to infiltrate the property. With the family in trouble, it is up to Santa Claus to save this family from harm by stopping the infiltrators in their tracks.

Ah… The holidays… The most wonderful time of the year. Full of joy, happiness, and all the pretty things. Plus, you know, materialism. It is the that time of the year to beat up some bad guys!!! In this season where everyone is inevitably going to be rewatching a bunch of comforting holiday classics like “Elf” or “The Polar Express,” “Violent Night” presents itself as an antithesis to the familiar “Christmas movie.” Yes, it is Christmastime. Yes, there is Santa Claus. Yes, there are Christmas songs playing in the background. But instead of watching the next “Fred Claus,” there is a chance that with “Violent Night,” I have just tuned into the next “Die Hard.”

For those of you who have seen “Die Hard” and defend it as part of the many Christmas movies out there, you might say that it is not Christmas until Hans Gruber falls from Nakatomi Plaza. Similarly, I think Christmas came early this year when Santa bashed a bunch of mercenaries and put them in their place. Now am I going to put “Violent Night” on in front of my family while opening Christmas presents? Maybe not. However, once all the unwrapping is done and I find some privacy, I might put it on because this film is beautifully gory and as the name suggests, violent. It knows how to have fun from scene one to the climax.

David Harbour is excellent as Santa Claus, and part of it is because of the script. When I usually think of Santa I usually think of a jolly old man who can do no wrong. This film showcases a Santa who has grown tired of his job, he is sick of delivering the same trendy gifts to children, but he also seems to have a soft spot for the children that stand out on his nice list. Now, if I had one minor complaint, it is that the film occasionally resorts to kids’ animation humor where Santa calls out one of his reindeer for taking a dump on a roof, but that would be a small script flaw in an otherwise entertaining flick. Harbour carries this film as Santa Claus and I would not mind seeing more of him as the character.

Although speaking of the script, it is not the most verisimilitude-filled story of the year. Although to be fair, when you have a Santa Claus that beats up bad guys Deadpool style, that does not exactly call for the most realistic story of all time. In fact, there are certain conveniences and happenings in the movie that occur and the excuse that gets brought up in those moments is that it is “Christmas magic.” As someone who has seen and reviewed a ton of movies, it has become notoriously difficult to “turn off my brain.” But sometimes, the best thing to do in a movie like this is to follow this saying uttered by Barbara from “Tenet,” specifically… “Don’t try to understand it, feel it.”

And I can tell you how I felt after watching this movie. In a word, incredible.

I also like the scenes when the family happen to all be together. For the record, this movie takes place in an extravagant household and the people inside are all wealthy or notable. A couple standouts include Alex Hassell as Jason Lightstone, the favorite son. Gertrude Lightstone, who leads the family corporation. Also, Alexander Elliot as Bert, a young man who will do anything to get attention on social media. For the most part, the main group sounds like a bunch of entitled people. And in some ways, that is as accurate of a description as I could give them. But much like “The Menu,” which I reviewed last month, it was difficult for me to find any of these privileged individuals annoying or obnoxious. Credit where credit is due.

Although when it comes to the mercenaries, they are equally as entertaining. Most notably, John Leguizamo as “Scrooge.” (center) While I think there are more memorable antagonists in other movies, few have made me go through such an immediate transition to make me literally despise them (in a good way) like the one in this flick did. There is a moment where the stakes transition from the fates of one household to every kid on earth, and it is because of this guy. Leguizamo sells the part like hotcakes and I certainly bought it.

Before going into “Violent Night,” I heard this movie is similar to “Die Hard” and “Home Alone” and in some ways, that is an accurate description of what this film is in essence. There are unused elements brought to the table. For instance a deadly Santa Claus, and the idea of Christmas itself being saved, but if you like “Home Alone” and “Die Hard,” there is a good chance you might enjoy “Violent Night.” This is likely a coincidence, and also not the most cinematic example, but I would say there is a pinch of “Paul Blart: Mall Cop” sprinkled here too because the bad guys all have code names that are Christmassy.

As I have said, this film is violent, brutal, and not the most happy go lucky depiction of the holidays. It is cute, but not cuddly. But one thing this film gets right is that it does not simply resort to being a full-fledged slaughterhouse of a time and instead balances its brutality with some earned heart. Santa Claus and Trudy’s connection powers the film into the night sky and blasts it away full throttle. Seeing a somewhat broken Santa enjoy a conversation with a girl who evidently fulfills many qualifications on the nice list is heartwarming. “Violent Night” does for Christmas movies what “The Suicide Squad” did for comic book movies. It gave a satisfying journey that perfectly balances rambunctiousness with sweetness. It is not all rainbows and unicorns, but the rainbows and unicorns that do exist are not out of place.

“Violent Night” brings on the true meaning of Christmas. Watching Santa Claus give some old jolly saint nicks, red noses, and 12 days of pain. Watch it if you have a chance.

In the end, “Violent Night” does not sell itself short, it is beautifully naughty but to the point where it feels nice watching it. If you are looking for action, look no further. If you are looking for gore, look no further. You might not be looking for comfort and joy, but you may be delighted to find it here. David Harbour plays a great Santa Claus and I would not mind seeing another movie where he returns to play the character. Whether it means he deals with a different family or group of people like Benoit Blanc in “Knives Out” or we return to see another adventure with him and the Lightstones. I want more of this character, give it to me now. I am going to give “Violent Night” a 7/10.

“Violent Night” is now playing in theatres everywhere, including large formats like Dolby Cinema and Cinemark XD. Tickets are available now.

Thanks for reading this review! If you enjoyed this review, I have another one coming soon! Tonight I will be seeing “Empire of Light,” directed by Sam Mendes. The film hits select theaters starting tomorrow night so I hope to have a review up by the middle of next week. If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Violent Night?” What did you think about it? Or, what is your favorite on-screen Santa Claus? I’ll even count the fake ones like the department store Santa from “A Christmas Story.” List your picks down below! Scene Before is your click to the flicks!

Nobody (2021): Bob Odenkirk Seeks Revenge Over a Kitty Cat Bracelet, and It’s Worth the Watch

“Nobody” is directed by Ilya Naishuller, who also directed one of the first films I reviewed on Scene Before, “Hardcore Henry,” and stars Bob Odenkirk (Breaking Bad, Nebraska), Connie Nielsen (Wonder Woman, The Following), Aleksei Serebryakov (Leviathan, McMafia), RZA (The Dead Don’t Die, Mr. Right), Michael Ironside (Superman: The Animated Series, Turbo Kid), Colin Salmon (Tomorrow Never Dies, Krypton), and Christopher Lloyd (Back to the Future, Clue). This is a revenge flick centered around a guy named Hutch Mansell, who seemingly lives a normal life. He has his job that he goes to every day, he has his routine, he his wife and kids at home. He’s in some ways, a typical suburban dad. Note: I said some ways, because hidden behind this persona is a past where he was an auditor, or an assassin who kills people that are impossible to arrest. But he left his action-packed past so he can have the family he has now. But just because he has a family, does not mean life is completely quiet, as the house suffers through an overnight break-in. Hutch lets the invading party go off with select items, to where he’s questioned by his son and others in his life. However, not long after, Hutch goes on a revenge quest, where he somewhat harkens back to his days as an assassin.

There is something about revenge movies that are pleasing. Minus a couple things that are intertwined here and there, these movies are mostly simple, action-filled experiences that bring on the fun. One of my favorite movies of the past year is a revenge film, albeit much different regarding plot and story, specifically “Promising Young Woman.” But I saw the trailer, both green band and red band, for “Nobody” a number of times, and all I wanted out of this film was some cool fights, funny one-liners, and fast-paced scenes. And that is exactly what I got, and maybe a little more.

– New York, NY – 10/8/16 – Derek Kolstad (Screenwriter) at John Wick: Chapter 2 Lionsgate’s New York Comic Con Panel -Pictured: Derek Kolstad (Screenwriter) -Photo by: Marion Curtis/StarPix

This film comes from writer and producer Derek Kolstad, who also wrote one of the most iconic action movies of the 2010s, “John Wick.” Now I like “John Wick,” I’ll even admit that the sequels honestly are an improvement over the original to an extent, they know how to have more fun and just go nuts. “Nobody” perhaps to a lack of surprise, takes some of the beats that “John Wick” manages to have in its movie. But “Nobody” gets away with it for some new things it introduces and the fact that it puts the idea of making an entertaining action thriller first. Despite the similarities, “Nobody” never feels like it is trying too hard to pay homage to or copy and paste from something else, it is its own thing. But it does not mean there are not clichés. Some include having the main character have something be taken away, the main character going back to their roots to move the plot along, and occasional quips from one character to another. These are not disses on the movie, after all, these clichés were done well! It made for an entertaining product.

To say this is a “John Wick”-like movie would be an understatement. In fact, like glimmers of “John Wick,” which mostly stands out to me for being fun, it also aces in regard to its serious moments as well. One of the more iconic moments of “John Wick” is that moment when the title character’s dog gets killed, which is a catalyst for him seeking revenge. This movie has an animal-related revenge story as well. Although it has nothing to do with a dog, or a living creature.

It has to do with a kitty-cat bracelet.

The reveal for this is almost the best part of the movie and one of the reasons why “Nobody” aces its goal of not always having to take itself seriously. Now, I already knew that from the trailer that this would be in the film, but I did not expect it to be as paramount as it is. I do not want to go into complete spoiler territory, but the reveal for this in the film plays out like a scene from a Fox primetime cartoon like “The Simpsons” or “Family Guy.” The moment that Hutch’s young daughter, Abby (Paisley Cadorath), starts complaining that her precious item is gone and specifies exactly what that item is, is almost flat out hysterical. Because of ALL THINGS, this… Kitty cat bracelet, is the one thing that we see pushes Hutch over the edge and gets him to go out and bust some heads. Not having a watch stolen, not having money stolen, not having the house simply broken into at night.

A kitty cat bracelet.

I mean, seriously! Hutch’s reaction kind of reminded me of “The Simpsons” and “Family Guy” because I can totally see a scene in either one of those two shows where Homer Simpson or Peter Griffin respectively hear something as simple as a show being cancelled or the McRib being off the menu at McDonald’s again and that causes them to go on a rampage. If there is a film that I think could work well as inspiration for an animated spinoff, “Nobody” is an arguable contender.

But at the same time, this is a film that does the best it can to deliver a gritty, well-shot, and violent thriller every step of the way. The action in this film is well-choreographed, I can mostly tell who is fighting who, and it occasionally gets a laugh out of me. There is a scene on a city bus that nails this description.

One of the best parts of Bob Odenkirk’s character of Hutch is his relatability. Again, kind of like “John Wick” if you ask me. I got to stop saying that. He’s a 9 to 5 guy and a family man at the same time, so I would say that he is just a simple guy with extraordinary qualities, he’s a well thought out protagonist. I could buy into all of his motives at the beginning despite what others say about him. Think about it, when someone breaks into your house, what matters to you? Yes, your possessions are important, but living to fight another day is a priority as well, perhaps one that is even greater. Not to mention, he had a family to protect too. Sometimes you are in a situation where you have to pick your poison. I really like Hutch and I would not mind seeing him in a sequel.

Actor Christopher Lloyd arrives at Smiles from the Stars: A Tribute to the Life and Work of Roy Scheider at The Beverly Hills Hotel on April 4, 2009 in Beverly Hills, California. A Tribute To The Life And Work Of Roy Scheider – Red Carpet The Beverly Hills Hotel Beverly Hills, California United States April 4, 2009 Photo by John Shearer/WireImage.com To license this image (57129316), contact WireImage.com

Now Bob Odenkirk is great in this movie. So is Connie Nielsen, so is just about everyone else, but I also want to point out the comedic genius of Christopher Lloyd. To me, he will forever be known as Emmett Brown, that is inevitable, but Lloyd slaps in this film, mainly due to how his character is written. I will not say much, but we see him as this elderly man who just happens to be Hutch’s father, but without going into detail, he has some other qualities to him that almost come out of nowhere. Just watch the movie, but there is a moment that will likely have many of you grinning like an idiot around the halfway point or so. You’ll see what I mean.

Although I do want to talk about one thing. Per usual, I saw this movie a month ago. I hope I get to a point where I can review stuff I have recently seen, but this is just the way it is. But even though this is a fun action movie that is incredibly balls to the wall, it’s rated R, it goes for the edge, there is one presence that is lacking in this film, and that is a threat. Yes, there is one in the film, but the antagonistic side of things is honestly somewhat forgettable. At the same time though, the protagonistic presence is hypnotizing, which sort of makes up for the flaw. And, this once again, harkens back to “John Wick.” It has great buildup, and even though the climax is entertaining, the antagonistic side is not that memorable. I don’t know, maybe it is just me.

In the end, “Nobody” is a movie that everybody should see. That is if you really like action and violence that is taken up a notch. I keep making comparisons to “John Wick,” but this does not mean that “Nobody” is a bad movie, it just means that a lot of the great things that appear in “John Wick” make an appearance in here as well and it ends up being beneficial. Great action, likable characters, fast-paced editing, and stellar cinematography. What more could you ask for? I would definitely watch “Nobody” a second time, maybe on a Friday night when I am at home or something and I am going to give it a 7/10.

“Nobody” is now playing in select theaters and is also available through VOD services such as Xfinity On Demand, VUDU, and Prime Video to rent or buy.

Thanks for reading this review. My next review is for the battle of the year. Not humans vs. coronavirus, not Pepsi vs. Coke, and DEFINITELY not “Tom & Jerry,” it is “Godzilla vs. Kong.” I saw the movie in March, once more in April, and I cannot wait to finally give you my thoughts on it! Everybody’s seeing it, so I might as well pitch in and do my part to be in the conversation! That review should be up by next week, but we shall see. Tonight I watched “Mortal Kombat,” which is in theaters and on HBO Max. The film is based on the popular video game franchise, and I will have my thoughts on that soon. Be sure to follow Scene Before either with an email or WordPress account, and check out the Facebook page so you can stay tuned for more great content! I want to know, did you see “Nobody?” What did you think about it? Or, what is an item that means very little to other people, but you would freak out if you discovered it was lost? For me, it would have to be a particular external hard drive. Data is very important to me. Let me know down below! Scene Before is your click to the flicks!